Model: Lucky Blue Smith
Photographer: Sebastian Kim
GQ, January 2016
Model: Lucky Blue Smith
Photographer: Sebastian Kim
GQ, January 2016
Actress Anne Hathaway is the November 2014 cover star of Harper’s Bazaar US, posing in an Armani Prive gown on the cover photographed by Alexi Lubomirski. Inside the “Daring” issue, Anne stars in a feature made with creative direction by George Lois where she even wears a heart-shaped bustier with the words “I love you” decorated on top. She says about being daring, “I am getting more daring now—I’ll wear my mom jeans in public that haven’t been tailored ‘just so’ yet, just because they feel good.”
Hathaway tips a daring hat to, number one, Tilda Swinton. “Tilda is it, but she’s so cool about it. She’s so cool, she’d be like, ‘Oh, it’s not daring. I just did it.’ Hmm, Jonathan Demme”—who directed Hathaway to her first Oscar nomination, for Rachel Getting Married—“he’s still my mentor and hero. And Matthew McConaughey is the most daring man I know. He never judged himself along the way, and it’s all come together for him so wholly and deeply. He is totally himself.”
Vivienne Westwood Nostalgia of Mud (Buffalo Girls) collection printed cotton jersey toga dress, Autumn/Winter, 1982-1983. World’s End labelled, the pink gown cut shorter at the front and with long train-like panel printed in dark brown with Matisse inspired motifs
Roland Mouret Spring/Summer 2012 (inspired in part by the women close to Henri Matisse)
Tata Naka Autumn/Winter 2014-2015 Pre Collection
Harper’s Bazaar, July 1999 issue. Tom Cruise’s cover was the last cover approved by Liz before her death just 3 months prior. All ad revenue went to the Ovarian Cancer Research Fund. Models, photographers, stylists, make-ups artists, etc., donated their time for free. There are no editorials. It is the one issue which features the solidarity of the fashion industry for an icon.
Natalie Portman photographed by Robert Bromann, clothes by Moschino; Cindy Crawford photographed by Mary Ellen Mark, clothes by Malo; Rita Wilson photographed by Sante D’Orazio; Milla Jovovich photographed by Cliff Watts, clothes by Tommy Hilfiger
This pieces, printed with the iconic faces of Marilyn Monroe and James Dean, is a testament to Gianni Versace‘s fascination with the ironic and sometimes morbid depictions of Andy Warhol inasmuch as it is an exclusive signifier of Versace’s self-proclaimed personality as the celebrity couturier.
Tin Machine were an English-American hard rock band formed in 1988, famous for being fronted by English singer-songwriter David Bowie. The band consisted of David Bowie on lead vocals and guitar, Reeves Gabrels on guitar, Tony Sales on bass, and Hunt Sales on drums. Eric Schermerhorn was an unofficial fifth member of the band. The group recorded two studio albums before dissolving in 1992, when Bowie returned to his solo career.
The One music video was directed by Australian film director Russell Mulcahy (Melbourne, 23 June 1953). Mulcahy’s work is recognizable by the use of fast cuts, tracking shots and use of glowing lights as well as being one of the most prominent music video directors of the 1980s. He has also worked in television since the early 1990s, and is currently working as a director on episodes of MTV’s Teen Wolf. In 1986, Mulcahy became well known after directing the cult classic film Highlander, starring Christopher Lambert and featuring music from Queen. Mulcahy is gay and lives with his partner in Sydney.
Russell Mulcahy’s career began as a film editor for Australia’s Seven Network. After relocating to the UK around 1976, Mulcahy made successful music videos for several noted British pop acts—his early UK credits included XTC’s Making Plans for Nigel (1979), The Vapors’ hit Turning Japanese and his landmark video for The Buggles‘ Video Killed the Radio Star (1979) which became the first music video played on MTV in 1981.
By the mid-1980s Mulcahy was directing videos for some of the most successful pop-rock acts of the period including The Human League, The Tubes, Elton John, Ultravox, most of the major hits of Duran Duran (Rio, Hungry Like a Wolf), Spandau Ballet (True), Kim Carnes (BetteDavis Eyes, Voyeur), Bonnie Tyler (Total Eclipse of the Heart), Rod Stewart, Billy Joel, The Motels, Supertramp and The Rolling Stones (One Hit (To the Body), Going to a Go Go).
Breaking Down the Barriers was the first video he directed for Elton John. Later came I’m Still Standing, I Guess That’s Why They Call It the Blues, Sad Songs (Say So Much, Simply Life, etc.
The set production and costumes for The One music video were designed by Gianni Versace.
January 1989: Gianni Versace shows first couture collection in Paris. The Good Fortune of Friendship, a film by Sergio Salerni about Versace’s relationship with the choreographer Maurice Béjart, debuts. The Versus line bows. Dresses for Thought, an exhibit of Gianni’s designs, opens in Milan.
On October 21, 1990, the San Francisco opera season opened with Richard Strauss‘ Capriccio, with costumes designed by Versace. The following year the fragrance “Versus” was debuted and “Signature,” Versace’s classic line, was launched. Elton John, an ardent admirer of Versace, began his world tour for which Versace designed the costumes. In New York, for the Italian Trade Commission, Versace inaugurated the charity Gala “Rock’N Rule,” with profits given to the Amfar anti-AIDS Association. A retrospective show at the Fashion Institute of Technology featured Versace’s work.
Around 1989, Elton was deeply affected by the plight of Ryan White, an Indiana teenager with AIDS. Along with Michael Jackson, John befriended and supported the boy and his family until White’s death in 1990. Confronted by his then-lover, John checked into a Chicago hospital in 1990 to combat his drug abuse, alcoholism, and bulimia. In recovery, he lost weight and underwent hair replacement, and subsequently took up residence in Atlanta, Georgia.The One was John’s first album project since his rehabilitation from drug and alcohol addictions and bulimia in 1990.
In 1992, he established the Elton John AIDS Foundation, intending to direct 90 percent of the funds it raised to direct care, 10 percent to AIDS prevention education. He also announced his intention to donate all future royalties from sales of his singles (beginning with The One) in the U.S. and U.K. to AIDS research. That year, he released the Number Eight album The One, his highest-charting release since 1976’s Blue Moves. Also in 1992, Gianni designed costumes and album cover for Elton John’s world tour.
The One (1992), the 23rd studio album by British singer/songwriter Elton John. It was dedicated to Vance Buck, and its cover artwork was designed by Gianni Versace. Photography by Patrick Demarchelier
The Big Picture is the 26th studio album by Elton John, released in 1997. It was dedicated to John’s friend, popular fashion designer Gianni Versace, who was murdered a few months before the album’s release. This was the last album to date to be produced by Chris Thomas, who had worked with John almost nonstop since 1981’s The Fox. This is the only album in which neither Davey Johnstone nor bassist Bob Birch provide backing vocals. Drummer Charlie Morgan was let go from the band shortly after the album’s release and soon replaced by Curt Bisquera and John’s old drummer Nigel Olsson, who remains in the lineup to this day.
The video for the song (which is dedicated to the memory of Gianni and Diana, Princess of Wales, who also died that year) featured actors and actresses from the UK television programme This Life, as well as supermodels Kate Moss and Sophie Dahl. It’s regarded as one of Elton John’s best videos. John has publicly revealed (through his “warts and all” documentary Tantrums and Tiaras) that he finds videos “fucking loathsome” and after the album The Big Picture refrained from appearing in his own videos unless they were cameo appearances. It was directed by Tim Royes.
“This Album is dedicated to Matthew Shepard and Oliver Johnstone.
You will be never forgotten”
The booklet contains a photograph taken with a wide-angle lens allowing more of the scene that’s happening inside a western cafe. The whole picture alludes to the song lyrics of this album. And the outfit Elton John is wearing (a sequined black jacket by Atelier Versace) might be a reference whether to The Emperor’s New Clothes, Black Diamond or Look Ma, No Hands. While the doves refers to the sixth track, Birds:
“How come birds
Always look for a quiet place to hide
Can’t explain what I feel inside?
Like birds I need a quiet place to hide…”
“Gonna miss the sunlight
When I lose my eyesight
Give me my red shoes
I want to dance…”
(Ballad of the Boy in the Red Shoes)
“I can’t eat, can’t sleep…”
“It’s a case of paradise lost
Ten years back on the hands of the clock…”
“….Sometimes the magic of the past is all we’ve got…”
“You may not believe it
But I don’t believe in miracles anymore
When I think about it
I don’t believe I ever did for sure…”
(This Train don’t Stop There Anymore)
“Western skies don’t make it right
Home of the brave don’t make no sense…”
“…Three lives drift on different winds
Two lives ruined one life spent…”
“Some days I think it’s all a dream
The things I’ve done, the places that I’ve been
This life of mine seemed surreal at times
Wasted days and nights in someone else’s mind…”
“I find the vast majority of fashion is perpetuating something that has already been – particularly with how human beings are portrayed within it. I find it repetitive; I think I’ve always been drawn to something that’s a little more individual.”
Tim Walker’s fascination with the make-believe world of fashion photography started early. As a 19-year-old intern at Vogue he established its Cecil Beaton Archive before studying art and photography at Exeter Art College. On graduation he worked briefly as a freelance photographic assistant in London before moving to New York as full-time assistant to Richard Avedon. At 25 he shot his first Vogue fashion story. He was the recipient of the second ‘Isabella Blow Award for Fashion Creator’ at the British Fashion Awards (2008) and the following year he received an Infinity Award from the International Center of Photography, New York, for his fashion photography. In 2011 his short film The Lost Explorer premiered at Lorcano Film festival and went on to win the Jury Award at the Chicago United Film Festival. He is also well known for his advertising campaigns for Mulberry, Hèrmes, Valentino and many others.A Matter of Life and Death (Michael Powell & Emeric Pressburger, 1946) is one of the films that have inspired and influenced some of his images.
For the Countess of Peralta
The snow-white Olympic swan,
with beak of rose-red agate,
preens his Eucharistic wing,
which he opens to the sun like a fan.
His shining neck is curved
like the arm of a lyre,
like the handle of a Greek amphora,
like the prow of a ship.
He is the swan of divine origin
whose kiss mounted through fields
of silk to the rosy peaks
of Leda’s sweet hills.
White king of of Castalia’s fount,
his triumph illumines the Danube;
Da Vinci was his baron in Italy;
Lohengrin is his blond prince.
His whiteness is akin to linen,
to the buds of the white roses,
to the diamantine white
of the fleece of an Easter lamb.
He is the poet of perfect verses,
and his lyric cloak is of ermine;
he is the magic, the regal bird
who, dying, rhymes the soul in his song.
This winged aristocrat displays
white lilies on a blue field;
and Pompadour, gracious and lovely,
has stroked his feathers.
He rows and rows on the lake
Where a golden gondola waits
For the sweetheart of Louis of Bavaria.
Countess, give the swans your love,
for they are gods of an alluring land
and are made of perfume and ermine,
of white light, of silk, and of dreams.
Sabbles woz 'ere
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