Penelope’s Hungry Eyes

Self-portrait, London, 1972

 

Abe Frajndlich was born in 1946 to in Frankfurt. At the age of ten he moved to the United States via Israel, France and Brazil. His role model and mentor was photographer Minor White, from whom he learnt “the art of seeing”.

It is with “hungry eyes”, but also with a tenacity and patience only equaled by Penelope’s firm belief in the return of her husband Odysseus, that over the last 30 years Abe Frajndlich has taken portraits of his famous fellow photographers. A selection of over 100 pictures from the ever growing portrait collection has been published in book form for the first time under the title Penelope’s Hungry Eyes. It features grand old masters of the art and photographic artists, contemporaries of the author and younger masters from the Düsseldorf School.

Abe Frajndlich has succeeded in luring the world’s most famous photographers out from behind their cameras and in front of his. With extraordinary skill, he has trained his lens on people used to hiding their own eyes behind a camera. For each of his portraits (some in color, some black and white) Frajndlich has conceived an individual setup that brings into focus in diverse ways the photographer’s primary organ, namely their eyes, which are as special as the voice of talented singers. Some of the photographers shy away by closing their eyes, wearing a mask or turning away (Cindy Sherman, Annie Leibovitz, Thomas Struth or Hans Namuth). Others use props such as glasses, mirrors or magnifying glasses to set their eyes in scene (Bill Brandt, Duane Michals, Andreas Feininger, Lillian Bassman) and still others draw attention to the vulnerability of their eyes using knives and scissors (Imogen Cunningham, Lucas Samaras). Yet many of the subjects respond to the unfamiliar “change of perspective” by looking directly into Frajndlich’s camera (Candida Höfer, Berenice Abbott, Gordon Parks).

Abe Frajndlich has presented a Who’s Who of recent photographic history, enriched with a highly subtle eye for humorous situations. In images and text (the photographer has added a personal note to each portrait) Frajndlich sets out to discover the ever enigmatic relationship between the real person and their own legend.

 

Lucas Samaras
 

Bill Brandt

 

Josef Koudelka

 

Arnold Newman

 

Robert Lebeck

 

Imogen Cunningham

 

Elliott Erwitt

 

William Wegman

 

Marc Riboud

 

Ruth Bernhard

 

Lillian Bassman

 

Louise Dalh-Wolfe

 

Ilse Bing

 

Dennis Hopper

 

David Hockney

 

Richard Avedon

 

Annie Leibovitz

 

Cindy Sherman

 

Andres Serrano

 

Harold Edgerton

 

Horst P. Horst

 

Norman Parkinson

 

Gordon Parks

 

Masahisa Fukase

 

Daidō Moriyama

 

Eikoh Hosoe

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Flower Bouquet For Head

Vogue cover illustrated by Salvador Dalí, June, 1939

 
 

Ivy Nicholson photographed by Louise Dahl-Wolfe

 
 

Harper’s Bazaar, April 1958 issue

 
 

Harper’s Bazaar UK, April 1965 issue

 
 

Page from Harper’s Bazaar USA, April 1965. Photo by Richard Avedon

 
 

Elle Fanning photographed by Will Cotton

 
 

New York magazine, February 2013

The Last Flappers

Marilyn Monroe as Sugar Kane in Some Like it Hot (Billy Wilder, 1959)

 
 

Jack Lemmon, Marilyn and director Billy Wilder

 
 

Tony Curtis and Jack Lemmon in drag

 
 

Audrey Hepburn as Holy Golightly in Breakfast at Tifanny’s (Blake Edwards, 1961)

 
 

keiraKeira Knightley wearing  Chanel Couture

 
 

Make-up and styling for Chanel Resort Collection 2013

 
 

Natalie Portman photographed by Mario Testino. Vogue USA, February 2004

 
 

Portman in a still from Closer (Mike Nichols, 2004)

 
 

Michelle Pfeiffer. Photo: Herb Ritts

 
 

Madonna

 
 

Anjelica Huston. Photo: Gian Paolo Barbieri

 
 

Portrait of Isabella Rossellini by Ellen von Unwerth

 
 

Ali MacGraw

 
 

Ralph Lauren

 
 

Jean Paul Gaultier

 
 

Alexander McQueen

 
 

LV0043Louis Vuitton

 
 

Etro

 
 

Gucci

 
 

Balenciaga by Nicholas Ghesquière

 
 

Images from fashion editorial Paris Je T’Aime photographed by Steven Meisel. Vogue USA, September issue. 2007

 
 

Rihanna

 
 

Mary Jane Russell with a Christian Dior swan hat. Photo: Louise Dahl-Wolfe, 1949

 
 

Christian Dior by John Galliano Spring-Summer collection 1998

 
 


The Dolly Sisters

 
 

Jennifer Lawrence in Dior Haute Couture at the Oscars 2013

 
 

* The Last Flapper is the title of a play written by William Luce. It is based on Zelda Fitzgerald’s life.