Penelope’s Hungry Eyes

Self-portrait, London, 1972

 

Abe Frajndlich was born in 1946 to in Frankfurt. At the age of ten he moved to the United States via Israel, France and Brazil. His role model and mentor was photographer Minor White, from whom he learnt “the art of seeing”.

It is with “hungry eyes”, but also with a tenacity and patience only equaled by Penelope’s firm belief in the return of her husband Odysseus, that over the last 30 years Abe Frajndlich has taken portraits of his famous fellow photographers. A selection of over 100 pictures from the ever growing portrait collection has been published in book form for the first time under the title Penelope’s Hungry Eyes. It features grand old masters of the art and photographic artists, contemporaries of the author and younger masters from the Düsseldorf School.

Abe Frajndlich has succeeded in luring the world’s most famous photographers out from behind their cameras and in front of his. With extraordinary skill, he has trained his lens on people used to hiding their own eyes behind a camera. For each of his portraits (some in color, some black and white) Frajndlich has conceived an individual setup that brings into focus in diverse ways the photographer’s primary organ, namely their eyes, which are as special as the voice of talented singers. Some of the photographers shy away by closing their eyes, wearing a mask or turning away (Cindy Sherman, Annie Leibovitz, Thomas Struth or Hans Namuth). Others use props such as glasses, mirrors or magnifying glasses to set their eyes in scene (Bill Brandt, Duane Michals, Andreas Feininger, Lillian Bassman) and still others draw attention to the vulnerability of their eyes using knives and scissors (Imogen Cunningham, Lucas Samaras). Yet many of the subjects respond to the unfamiliar “change of perspective” by looking directly into Frajndlich’s camera (Candida Höfer, Berenice Abbott, Gordon Parks).

Abe Frajndlich has presented a Who’s Who of recent photographic history, enriched with a highly subtle eye for humorous situations. In images and text (the photographer has added a personal note to each portrait) Frajndlich sets out to discover the ever enigmatic relationship between the real person and their own legend.

 

Lucas Samaras
 

Bill Brandt

 

Josef Koudelka

 

Arnold Newman

 

Robert Lebeck

 

Imogen Cunningham

 

Elliott Erwitt

 

William Wegman

 

Marc Riboud

 

Ruth Bernhard

 

Lillian Bassman

 

Louise Dalh-Wolfe

 

Ilse Bing

 

Dennis Hopper

 

David Hockney

 

Richard Avedon

 

Annie Leibovitz

 

Cindy Sherman

 

Andres Serrano

 

Harold Edgerton

 

Horst P. Horst

 

Norman Parkinson

 

Gordon Parks

 

Masahisa Fukase

 

Daidō Moriyama

 

Eikoh Hosoe

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“The Most Stylish People”

Isaac Mizrahi decks out Arthur Hubbert in his take on hip-hop in 1991. Photo By Richard Bowditch/WWD Archive

 
 

“The most stylish people are the homegirls and homeboys,” remarked Isaac Mizrahi, who, inspired by his elevator operator Arthur Hubbert, offered his own witty take: He accessorized his lineup that season with Star of David medallions recast to oversize, Run-DMC proportions.

The designer also had comedienne Sandra Bernhard open his show with a hip-hop ode of her own. “He’s got the look that’s unky-fey,” she rapped. “Big gold jewelry you’re proud to be seen in. Homegirl look is the only way.” And while the trend would pulse stronger some years over others, the industry’s flirtation with the various guises of urban street-chic style remained with designers such as Tommy Hilfiger and brands, including Rocawear, Phat Farm, Ecko and Enyce.