“For many photographers, fashion is the ultimate. But I’m not a fashion photographer. I’m a portrait artist who shoots fashion”
Timothy Greenfield Sanders
“For many photographers, fashion is the ultimate. But I’m not a fashion photographer. I’m a portrait artist who shoots fashion”
Timothy Greenfield Sanders
In 1967 Bernard John “Bernie” Taupin answered an advertisement for talent placed in the New Musical Express by Liberty records A&R man Ray Williams who was searching for new talent. Elton John answered the same advert and although neither Bernie or Elton passed the audition for Liberty Records, Ray Williams recognized their talents and put them in touch with each other. The pair have collaborated on more than 30 albums to date. The team took some time off from each other for a while between 1977 and 1979, while Taupin worked with other songwriters, including Alice Cooper, and John worked with other lyricists, including Gary Osborne and Tom Robinson. (The 1978 single-only A side Ego was their only collaboration of note during the period, although John/Taupin B-sides such as Lovesick and I Cry at Night were issued with the respective singles Song for Guy and Part-time Love from the album A Single Man.)
In 1971, journalist Penny Valentine wrote that “Bernie Taupin’s lyrics were to become as important as Elton [John] himself, proved to have a mercurial brilliance. Not just in their atmospheric qualities and descriptive powers, but in the way he handled words to form them into straightforward poems that were easy to relate to.
Much of Taupin’s childhood is reflected in his lyrics and poetry. Bernie attended school at Market Rasen Secondary Modern. Unlike his older brother Tony who attended a grammar school (secondary school), Taupin was not a diligent student, although he showed an early flair for writing. At age 15, he left school and started work as a trainee in the print room of the local newspaper The Lincolnshire Standard with aspirations to be a journalist. He soon left and spent the rest of his teenage years hanging out with friends, hitchhiking the country roads to attend youth club dances in the surrounding villages, playing snooker in the Aston Arms Pub in Market Rasen and drinking. He had worked at several part-time, dead-end jobs when, at age 17, he answered the advertisement that eventually led to his collaboration with Elton John.
Taupin’s mother had studied French Literature and his maternal grandfather “Poppy” was a classics teacher and graduate of the University of Cambridge. They taught him an appreciation for nature and for literature and narrative poetry, both of which influenced his early lyrics. Taupin’s upbringing also influenced his lyrics – in songs such as Lady, What’s Tomorrow?, Your Song and Country Comfort. Taupin’s unique blend of influences gave his early lyrics a nostalgic romanticism that fit perfectly with the hippie sensibilities of the late 1960s and early 1970s.
Taupin’s most important influence was his interest in America’s Old West, imbuing Tumbleweed Connection and recent songs such as This Train Don’t Stop There Anymore. When Taupin and Elton decided to write an autobiographical album in 1975, Taupin dubbed himself The Brown Dirt Cowboy, in contrast to” Elton’s Captain Fantastic.
John and Taupin resumed writing together on (at first) an occasional basis in 1980, with Taupin contributing lyrics to only three or four songs each on albums such as The Fox, 21 at 33 and Jump Up! However, by 1983’s Too Low for Zero, the two renewed their partnership on a full-time basis and from that point forward Taupin was again John’s primary lyricist. (John often works with other lyricists on specific theatrical or film projects such as 1994’s The Lion King, which featured lyrics by Tim Rice.)
Peter Som, United Bamboo, Imitation of Christ, Jeffrey Chow, Behnaz Sarafpour and Sebastian Pons
Actress and Imitation of Christ creative consultant Chloë Sevigny, with Elephant lead singer Diego Garcia, Hope Atherton and male model
Michael Kors, Carmen Kass and Mexican actor Diego Luna
Mark Badgley, James Mishka, Vera Wang, a group of rappers and models
Narciso Rodriguez, Oscar de la Renta, his daughther Eliza Reed Bolen, Karolina Kurkova, Liya Kebede, Eugenia Silva and other models
Proenza Schouler designers Lázaro Hernández (left) and Jack Mc Collough. In this picture they attempt to corral a llama, inspired by Inge Morath’s 1957 photograph in which the animal rides a cab through New York City.
Tommy Hilfiger and Karolina Kurkova
Zac Posen and his circle of friends
Angela Lindvall and Donna Karan; Isabelli Fontana and Kenneth Cole; Alek Wek and Diane von Furstenberg
Carolina Herrera, surrounded by models and the members of the Frick Museum’s gala benefit committee.
Ralph Lauren, Anouck Lepere, Isabelli Fontana and Filippa Hamilton
Marc Jacobs and his close friend Sofia Coppola
Calvin Klein creative director Francisco Costa, Natalia Vodianova, Luca Gadjus and Patrick Robinson (the-then designer of Perry Ellis)
Fashion Editorial pressed in Vogue USA, February 2004
Photographer: Mario Testino
Editor: Tonne Goodman
by Jade Reason
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