The Elegant Portraiture of Timothy Greenfield Sanders

“For many photographers, fashion is the ultimate. But I’m not a fashion photographer. I’m a portrait artist who shoots fashion”

Timothy Greenfield Sanders

 
 

Yves Saint Laurent

 
 

Pauline Trigère

 
 

Sonia Rykiel

 
 

Rei Kawakubo

 
 

Todd Oldham

 
 

Jean Muir

 
 

Elsa Peretti

 
 

Paloma Picasso

 
 

Carolina Herrera

 
 

Carmen Dell’Orefice

 
 

Oscar De la Renta

 
 

Jil Sander

 
 

Vera Wang

 
 

Donna Karan

 
 

Naomi Campbell

 
 

Christy Turlington

 
 

Andre Leon Talley

 
 

Liz Tilberis

 
 

Anna Wintour

 
 

Simon Doonan

 
 

Iké Udé

 
 

Hamish Bowles

 
 

Betsey Johnson

 
 

Miguel Adrover

 
 

Patrick Robinson

 
 

Zac Posen

 
 

Michael Kors

 
 

Narciso Rodríguez

 
 

Calvin Klein

 
 

Tommy Hilfiger

 
 

Isaac Mizrahi

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The Brown Dirt Cowboy and Captain Fantastic

 
 

In 1967 Bernard John “BernieTaupin answered an advertisement for talent placed in the New Musical Express by Liberty records A&R man Ray Williams who was searching for new talent. Elton John answered the same advert and although neither Bernie or Elton passed the audition for Liberty Records, Ray Williams recognized their talents and put them in touch with each other. The pair have collaborated on more than 30 albums to date. The team took some time off from each other for a while between 1977 and 1979, while Taupin worked with other songwriters, including Alice Cooper, and John worked with other lyricists, including Gary Osborne and Tom Robinson. (The 1978 single-only A side Ego was their only collaboration of note during the period, although John/Taupin B-sides such as Lovesick and I Cry at Night were issued with the respective singles Song for Guy and Part-time Love from the album A Single Man.)

In 1971, journalist Penny Valentine wrote that “Bernie Taupin’s lyrics were to become as important as Elton [John] himself, proved to have a mercurial brilliance. Not just in their atmospheric qualities and descriptive powers, but in the way he handled words to form them into straightforward poems that were easy to relate to.

Much of Taupin’s childhood is reflected in his lyrics and poetry. Bernie attended school at Market Rasen Secondary Modern. Unlike his older brother Tony who attended a grammar school (secondary school), Taupin was not a diligent student, although he showed an early flair for writing. At age 15, he left school and started work as a trainee in the print room of the local newspaper The Lincolnshire Standard with aspirations to be a journalist. He soon left and spent the rest of his teenage years hanging out with friends, hitchhiking the country roads to attend youth club dances in the surrounding villages, playing snooker in the Aston Arms Pub in Market Rasen and drinking. He had worked at several part-time, dead-end jobs when, at age 17, he answered the advertisement that eventually led to his collaboration with Elton John.

Taupin’s mother had studied French Literature and his maternal grandfather “Poppy” was a classics teacher and graduate of the University of Cambridge. They taught him an appreciation for nature and for literature and narrative poetry, both of which influenced his early lyrics. Taupin’s upbringing also influenced his lyrics – in songs such as Lady, What’s Tomorrow?, Your Song and Country Comfort. Taupin’s unique blend of influences gave his early lyrics a nostalgic romanticism that fit perfectly with the hippie sensibilities of the late 1960s and early 1970s.

Taupin’s most important influence was his interest in America’s Old West, imbuing Tumbleweed Connection and recent songs such as This Train Don’t Stop There Anymore. When Taupin and Elton decided to write an autobiographical album in 1975, Taupin dubbed himself The Brown Dirt Cowboy, in contrast to” Elton’s Captain Fantastic.

John and Taupin resumed writing together on (at first) an occasional basis in 1980, with Taupin contributing lyrics to only three or four songs each on albums such as The Fox, 21 at 33 and Jump Up! However, by 1983’s Too Low for Zero, the two renewed their partnership on a full-time basis and from that point forward Taupin was again John’s primary lyricist. (John often works with other lyricists on specific theatrical or film projects such as 1994’s The Lion King, which featured lyrics by Tim Rice.)

Fashion Takes Its Bite of the Big Apple

Peter Som, United Bamboo, Imitation of Christ, Jeffrey Chow, Behnaz Sarafpour and Sebastian Pons

 
 

Actress and Imitation of Christ creative consultant Chloë Sevigny, with Elephant lead singer Diego Garcia, Hope Atherton and male model

 
 

Michael Kors, Carmen Kass and Mexican actor Diego Luna

 
 

Mark Badgley, James Mishka, Vera Wang, a group of rappers and models

 
 

Narciso Rodriguez, Oscar de la Renta, his daughther Eliza Reed Bolen, Karolina Kurkova, Liya Kebede, Eugenia Silva and other models

 
 

Proenza Schouler designers Lázaro Hernández (left) and Jack Mc Collough. In this picture they attempt to corral a llama, inspired by Inge Morath’s 1957 photograph in which the animal rides a cab through New York City.

 
 

Tommy Hilfiger and Karolina Kurkova

 
 

Zac Posen and his circle of friends

 
 

Angela Lindvall and Donna Karan; Isabelli Fontana and Kenneth Cole; Alek Wek and Diane von Furstenberg

 
 

Carolina Herrera, surrounded by models and the members of the Frick Museum’s gala benefit committee.

 
 

Ralph Lauren, Anouck Lepere, Isabelli Fontana and Filippa Hamilton

 
 

jacobs and coppola testion vogue february 2004Marc Jacobs and his close friend Sofia Coppola

 
 

Calvin Klein creative director Francisco Costa, Natalia Vodianova, Luca Gadjus and Patrick Robinson (the-then designer of Perry Ellis)

 
 

Fashion Editorial pressed in Vogue USA, February 2004
Photographer: Mario Testino
Editor: Tonne Goodman