Kafka (Steven Soderbergh, 1991) is ostensibly a biopic, based on the life of Franz Kafka, the film blurs the lines between fact and Kafka’s fiction (most notably The Castle and The Trial), creating a Kafkaesque atmosphere. It was written by Lem Dobbs, and stars Jeremy Irons in the title role (actually is a fictionalized composite of many of Franz Kafka’s literary protagonists), with Theresa Russell, Ian Holm, Jeroen Krabbé, Joel Grey, Armin Mueller-Stahl, and Alec Guinness.
Released after Soderbergh’s critically acclaimed debut Sex, Lies, and Videotape it was the first of what would be a series of low-budget box-office disappointments. It has since become a cult film, being compared to Terry Gilliam‘s Brazil and David Cronenberg‘s Naked Lunch.
In a 2013 interview with Vulture, Soderbergh stated that the rights to the film had reverted to him and executive producer Paul Rassam, and that work had begun on a “completely different” version of the movie. Soderbergh reported that he and Lem Dobbs did some rewriting, inserts were shot during the making of Side Effects, and he plans to dub the film into German and release both the original and new version together.
Cinematographer Walt Lloyd films the majority of Kafka in low-key black and white photography, and the amazing blocking and cutting by Soderbergh is reminiscent of such films as Orson Wells 1958 film, Touch of Evil. No joke, this film’s style is a thing of throwback beauty.
When Kafka switches to color photography for its tension-filled climax, there is a single slice of dialogue that perfectly sums up the film’s theme for me. A doctor (played by Ian Holm) insists, “A crowd is easier to control than an individual. A crowd has a common purpose. The purpose of the individual is always in question.”
To watch the movie trailer, please check out The Genealogy of Style‘s Facebook page: https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228
From left: Stella Tennant in Stella McCartney, Cecilia Chancellor in Luella Bartley, Erin O’Connor in John Galliano, Jacquetta Wheeler in Nicole Farhi, Naomi Campbell in Julien Macdonald, Liberty Ross in Clements Ribeiro, Kate Moss in Hussein Chalayan, Elizabeth Jagger in Russell Sage and Philip Treacy, Jade Parfitt in Paul Smith, Rosemary Ferguson in Markus Lupfer, Jasmine Guinness in Boyd, Lisa Ratcliffe in Sophia Kokosalaki, Karen Elson in Betty Jackson, Georgina Cooper in Antonio Berardi, Alek Wek in Belville Sassoon by Lorcan Mullany, Sophie Dahl in Matthew Williamson, Vivien Solari in Robert Cary-Williams and Jodie Kidd in Vivienne Westwood. Photo by Mario Testino for Vogue, January 2002
by Jade Reason
La vía del estilo
Art still has truth. Take refuge there.
Tales from Tinseltown...recording them now...I'll let you know when it's story time.
My Work My Art My Show - new school Sex and the City
All my words that are fit to print (and other's too!)
Making Life more Beautiful
Life, Leisure, Luxury
MYTHS AND HISTORIES OF A RELUCTANT BLOGGER
All my aimless thoughts, ideas, and ramblings, all packed into one site!
Meaning in Being. You be you.
Poetry, musings and sightings from where the country changes
Cooking is personalization.
Creativity is within us all