“Well I remember that wall, that brick … Bob Gill and I never quite recovered our compatibility but the brick did have to go. Were we right? Yes.”
(recalling difficulties with artist Bob Gill over Harrison’s requested alteration to his cover design)
Wonderwall Music is the soundtrack album to the film Wonderwall (Joe Massot, 1968), and the debut solo release by English musician George Harrison. It was the first album to be issued on The Beatles‘ Apple record label, and the first solo album by a member of that band. The songs are all instrumental pieces, except for occasional non-English vocals, and a slowed-down spoken word segment on the track Dream Scene. Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and the Indian city of Bombay. Following his Indian-styled compositions for the Beatles since 1966, he used the film soundtrack to further promote Indian classical music by introducing rock audiences to musical instruments that were relatively little-known in the West – including shehnai, sarod and santoor. During the sessions, Harrison recorded many other pieces that appeared in Wonderwall but not on the soundtrack album, and the Beatles’ song The Inner Light also originated from his time in Bombay. Although the album’s release in November 1968 marked the end of Harrison’s direct involvement with Indian music, it inspired his later collaborations with Ravi Shankar, including the 1974 Music Festival from India.
For the front cover of Wonderwall Music (, American artist Bob Gill painted a picture in the style of Belgian surrealist René Magritte. The painting shows a formally dressed man “separated by a huge red brick wall from a group of happy bathing Indian maidens”, Bruce Spizer writes. Apple executive Derek Taylor, whom Harrison had invited to help run the Beatles’ label in early 1968, later recalled of Gill’s submission: “It was a nice painting but missed the essence of hope.” To Gill’s chagrin, Harrison requested that a brick be removed from the wall, because he deemed it important to “give the fellow on the other side a chance, just as the Jack MacGowran character had a chance [in the film]”.
For the back cover, Harrison chose a photo of part of the Berlin Wall, which designers John Kelly and Alan Aldridge then manipulated and mirrored to represent a corner. Taylor describes the result as innovative for its time, with the wall made to look “proud and sharp as the prow of a liner”.
The sleeve was designed so that the rear face appeared upside down relative to the front. In America, some copies of the LP had the Berlin Wall image mistakenly printed on the front, which made for “a less than exciting cover to be sure”, in Madinger and Easter’s opinion. Included on the LP’s sleeve insert was a black-and-white photograph of Harrison taken by Astrid Kirchherr (credited as Astrid Kemp, since 1967, Kirchherr married English drummer Gibson Kemp).