Reflektor

“The Orpheus myth is the original love triangle, Romeo and Juliet kind of story. Lyrically, it’s not literally about my life. I feel like I’m kind of a bit of a sponge in a way. Like, if people around me are going through things, I find it very hard not to be empathetic.”
Win Butler

 

Reflektor is the fourth studio album by the Canadian indie rock band Arcade Fire, released on October 28, 2013.

The album’s artwork features an image of Auguste Rodin’s sculpture of Orpheus and Eurydice

 

A poster for Arcade Fire’s “not-so-secret” secret show as The Reflektors at Salsatheque in Montreal

 

Influenced by Haitian rara music, the film Black Orpheus (Marcel Camus, 1959) and Søren Kierkegaard‘s essay, The Present Age, Reflektor‘s release was preceded by a guerrilla marketing campaign inspired by veve drawings, and the release of a limited edition single, Reflektor, credited to the fictional band, The Reflektors, on September 9, 2013.

The eponymous first single was produced by James Murphy, Markus Dravs and the band itself, and features a guest vocal appearance by David Bowie and was released on a limited edition 12″ vinyl credited to the fictional band, The Reflektors. The music video was directed by Anton Corbijn.

 

The music video can be seen on The Genealogy of Style‘s Facebook Page:https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228

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I’m Loving Moschino

Ad Campaign: Moschino F/W 2014-15

 
 

The Moschino first advertising campaign with Jeremy Scott as the brand’s new creative director, Scott call upon some of the top names in the business; Linda Evangelista, Stella Tennant, Carolyn Murphy, Saskia de Brauw, Karen Elson and Raquel Zimmerman whom pose in black and white imagery by Steven Meisel. Make-Up by Pat McGrath, Hair by Guido Palau, Styled by Carlyne Cerf De Dudzeele

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Jane Austen’s Matchmaking Heroine

Illustrations by C.E. Brock

 
 

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. Before she began the novel, Austen wrote, “I am going to take a heroine whom no one but myself will much like.” In the very first sentence she introduces the title character as “Emma Woodhouse, handsome, clever, and rich.” Emma, however, is also rather spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people’s lives; and her imagination and perceptions often lead her astray.

Emma Woodhouse is the first Austen heroine with no financial concerns, which, she declares to the naïve Miss Smith, is the reason that she has no inducement to marry. This is a great departure from Austen’s other novels, in which the quest for marriage and financial security are often important themes in the stories. Emma’s ample financial resources put her in a much more privileged position than the heroines of Austen’s earlier works, such as Sense and Sensibility and Pride and Prejudice. Jane Fairfax’s prospects, in contrast, are bleak.

 
 

(Douglas McGrath, 1996)

 
 

Douglas McGrath “fell in love” with Jane Austen‘s 1815 novel Emma, while he was an undergraduate at Princeton University. He believed the book would make a great film, but it was not until a decade later that he was given a chance to work on the idea. After receiving an Academy Award nomination in 1995 for his work on Bullets Over Broadway (Woody Allen, 1994), McGrath decided to make the most of the moment and took his script idea for a film adaptation of Emma to Miramax Films. McGrath had initially wanted to write a modern version of the novel, set on the Upper East Side of New York City. Miramax’s co-chairman, Harvey Weinstein, liked the idea of a contemporary take on the novel. McGrath was unaware that Amy Heckerling‘s Clueless was already in production, until plans for Emma were well underway.

Although in general staying close to the plot of the book, the screenplay by Douglas McGrath enlivens the banter between the staid Mr. Knightley and the vivacious Emma, making the basis of their attraction more apparent.

Austen’s original novel deals with Emma’s false sense of class superiority, for which she is eventually chastised. In an essay from Jane Austen in Hollywood, Nora Nachumi writes that, due partly to Paltrow’s star status, Emma appears less humbled by the end of this film than she does in the novel.

 
 

(Diarmuid Lawrence, 1996)

 
 

This production of Emma stars Kate Beckinsale as the titular character, and also features Samantha Morton as Harriet Smith and Mark Strong as Mr. Knightley.  Previously, Andrew Davies was the screenwriter for the successful 1995 BBC TV serial Pride and Prejudice starring Jennifer Ehle and Colin Firth. Davies offered to adapt Emma for the BBC, but it had already commissioned Sandy Welch as screenwriter.

 
 

(Amy Heckerling, 1995)

 
 

This comedy film is loosely based on Jane Austen’s 1815 novel Emma. Heckerling later described Silverstone as having “that Marilyn Monroe thing” as a “pretty, sweet blonde who, in spite of being the American ideal, people still really like.” 

Steven Meisel: Rock The House

Carolyn Murphy: Courtney Love. Jake Schroeder: Kurt Cobain. Dylan Schroeder Murphy: Frances Bean Cobain

 
 

Fanni Bostrom: John Lennon. Audrey Marnay: Ringo Starr. Tasha Tilberg: Paul McCartney and Trish Goff: George Harrison

 
 

Ben Northover: John Lennon. Devon Aoki: Yoko Ono

 
 

Omahyra: Prince

 
 

Karolina Kurkova: Marilyn Manson

 
 

Cyrille Victor: Jimi Hendrix. Matt Duffie: Jim Morrison. Karen Elson: Janis Joplin

 
 

Crew of models: The Rolling Stones

 
 

Hannelore Knuts: David Bowie. Diana Meszaros: Angela Bowie

 
 

Sophie Dahl: Debbie Harry