From left: Stella Tennant in Stella McCartney, Cecilia Chancellor in Luella Bartley, Erin O’Connor in John Galliano, Jacquetta Wheeler in Nicole Farhi, Naomi Campbell in Julien Macdonald, Liberty Ross in Clements Ribeiro, Kate Moss in Hussein Chalayan, Elizabeth Jagger in Russell Sage and Philip Treacy, Jade Parfitt in Paul Smith, Rosemary Ferguson in Markus Lupfer, Jasmine Guinness in Boyd, Lisa Ratcliffe in Sophia Kokosalaki, Karen Elson in Betty Jackson, Georgina Cooper in Antonio Berardi, Alek Wek in Belville Sassoon by Lorcan Mullany, Sophie Dahl in Matthew Williamson, Vivien Solari in Robert Cary-Williams and Jodie Kidd in Vivienne Westwood. Photo by Mario Testino for Vogue, January 2002
“There are very few people that have escaped my eye. It was only when I finished my career did I realize what I’d done. I’ve done the best people ever. And there will never be people to match them. Ever.”
Terry O’Neill began his career working in a photographic unit for an airline at London’s Heathrow Airport. During this time, he photographed a sleeping figure in a waiting area whom, by happenstance, was revealed to be Britain’s Home Secretary. O’Neill thereafter found further employment on Fleet Street with The Daily Sketch in 1959. His first professional job was photographing Laurence Olivier.
His reputation grew during the 1960s. In addition to photographing the decade’s show-business elite such as Judy Garland, The Beatles and The Rolling Stones, he also photographed members of the British Royal Family and prominent politicians, showing a more natural and human side to these subjects than had usually been portrayed before. O’Neill had a longtime relationship with Faye Dunaway. They were married from 1983 until 1986.
Terry O’Neill rose to fame in the 1960’s in London, where he snapped this photo of the Beatles at Abbey Road, during the year they released their three classic albums, Please, Please… Me, Introducing the Beatles and With the Beatles. This image hangs in the National Portrait Gallery in London
“Because I used to be a jazz musician, people at the paper asked me, ‘You know about music, who’s going to be the next pop group?’ I said, ‘I’ve been watching a group called The Rolling Stones. They’re a blues group but they’re good’. I went to photograph them and they [the newspaper editors] were horrified. They thought they looked like five prehistoric monsters. They said, ‘There’s got to be some good-looking ones!’”
Actress Faye Dunaway resting by the Beverly Hills Hotel swimming pool the morning after she recieved the 1976 Best Actress Academy Award. There are newspapers on the floor and her Oscar is on the table, 29th March 1977
“I was working on a present for Nelson Mandela, when he came here for his 90th birthday and there was a concert for him in Hyde Park. Amy was due to sing but she was in hospital. She actually got out of bed to come and perform. I only took two frames but I’m so glad I did because she was a really talented lady.”
More Terry O’Neill photographs:
January 1989: Gianni Versace shows first couture collection in Paris. The Good Fortune of Friendship, a film by Sergio Salerni about Versace’s relationship with the choreographer Maurice Béjart, debuts. The Versus line bows. Dresses for Thought, an exhibit of Gianni’s designs, opens in Milan.
On October 21, 1990, the San Francisco opera season opened with Richard Strauss‘ Capriccio, with costumes designed by Versace. The following year the fragrance “Versus” was debuted and “Signature,” Versace’s classic line, was launched. Elton John, an ardent admirer of Versace, began his world tour for which Versace designed the costumes. In New York, for the Italian Trade Commission, Versace inaugurated the charity Gala “Rock’N Rule,” with profits given to the Amfar anti-AIDS Association. A retrospective show at the Fashion Institute of Technology featured Versace’s work.
Around 1989, Elton was deeply affected by the plight of Ryan White, an Indiana teenager with AIDS. Along with Michael Jackson, John befriended and supported the boy and his family until White’s death in 1990. Confronted by his then-lover, John checked into a Chicago hospital in 1990 to combat his drug abuse, alcoholism, and bulimia. In recovery, he lost weight and underwent hair replacement, and subsequently took up residence in Atlanta, Georgia.The One was John’s first album project since his rehabilitation from drug and alcohol addictions and bulimia in 1990.
In 1992, he established the Elton John AIDS Foundation, intending to direct 90 percent of the funds it raised to direct care, 10 percent to AIDS prevention education. He also announced his intention to donate all future royalties from sales of his singles (beginning with The One) in the U.S. and U.K. to AIDS research. That year, he released the Number Eight album The One, his highest-charting release since 1976’s Blue Moves. Also in 1992, Gianni designed costumes and album cover for Elton John’s world tour.
The One (1992), the 23rd studio album by British singer/songwriter Elton John. It was dedicated to Vance Buck, and its cover artwork was designed by Gianni Versace. Photography by Patrick Demarchelier
The Big Picture is the 26th studio album by Elton John, released in 1997. It was dedicated to John’s friend, popular fashion designer Gianni Versace, who was murdered a few months before the album’s release. This was the last album to date to be produced by Chris Thomas, who had worked with John almost nonstop since 1981’s The Fox. This is the only album in which neither Davey Johnstone nor bassist Bob Birch provide backing vocals. Drummer Charlie Morgan was let go from the band shortly after the album’s release and soon replaced by Curt Bisquera and John’s old drummer Nigel Olsson, who remains in the lineup to this day.
The video for the song (which is dedicated to the memory of Gianni and Diana, Princess of Wales, who also died that year) featured actors and actresses from the UK television programme This Life, as well as supermodels Kate Moss and Sophie Dahl. It’s regarded as one of Elton John’s best videos. John has publicly revealed (through his “warts and all” documentary Tantrums and Tiaras) that he finds videos “fucking loathsome” and after the album The Big Picture refrained from appearing in his own videos unless they were cameo appearances. It was directed by Tim Royes.
Tim Walker creates this candy coated acid trip of a universe featuring models Karen Elson, Georgia May Jagger, and Sophie Drake, as well as various actors, designers, and British eccentrics, including Tim Burton and Helena Bonham Carter. The story uses quotes from Roald Dahl stories and the editorial includes an article by Dahl’s granddaughter, model Sophie Dahl.