River

Keanu Reeves and River Phoenix in My Own Private Idaho (Gus Van Sant, 1991)

 

Young and strong Hollywood son
In the early morning light
This star fell down
On Sunset Boulevard
Young and strong beautiful one
One that we embraced so close
Is gone
Was torn away
Let the youth of America mourn
Include him in their prayers
Let his image linger on
Repeat it everywhere

With candles with flowers
He was one of ours
One of ours

Why don’t you let him be?
He’s gone
We know
Give his mother and father peace
Your vulture’s candor
Your casual slander
Will murder his memory
He’s gone
We know
And it’s nothing but a tragedy

Lay to rest your soul and body
Lay beside your name
Lay to rest your rage
Your hunger and amazing grace

With candles, with flowers
You were one of ours
One of ours

I saw cameras expose your life
I heard rumors explode with lies
I saw children with tears
Cry and crowd around the sight
Of where you had collapsed that day
Where your last breath and word
Had been sighed
Where your heart had burst
Where you had died

I saw how they were lost in grieving
All half-believing you were gone
The loss and pain of it
Crime and the shame of it
You were gone
It was such a nightmare raving,
“how could we save him
From himself?”

Natalie Merchant

Track from Tigerlily (her first solo album after splitting from the 10,000 Maniacs)

1995

Advertisements

In The Game of Love

 
 

SNAKES AND LADDERS

(Joss Stone, Jonathan Shorten, Conner Reeves)

In the game of love
It takes all you got
Just to keep it moving up
Don’t you wanna reach the top
But heaven seems such a crazy dream
If your heart has room for doubt
You’re neither in you’re neither out

99 1/2 it just won’t do
You gotta give me all of you
Not asking too much of a heart that’s true
So tell me…

Chorus
What’s the name of the game that we are playing
Boy whenever I think that we are winning
Then you roll the dice take a slide
Right back to the one from 99

Is it gonna go on like this forever
Are we gonna to take that last step together
Going round and round and up and down
Feels just like snakes and ladders

Baby don’t it feel like a carousel
Where all the world is rushing by
But when it stops you realize
That you’re right back where you started at
I need a little more than that
It time for us to face the facts

Whether to be or not to be
That is the question so it seems
We’re going nowhere in between
So tell me…

Chorus
What’s the name of the game that we are playing
Boy whenever I think that we are winning
Then you roll the dice take a slide
Right back to the one from 99

Is it gonna go on like this forever
Are we gonna to take that last step together
Going round and round and up and down
Feels just like snakes and ladders

Don’t wanna play this game nomore
I wanna know right now for sure
What am I giving my heart for
Baby I need a little more
Don’t leave me hanging on a string
Now that I gave you everything

Not when I play to win
Snakes and ladders

Chorus (2x)
What’s the name of the game that we are playing
Boy whenever I think that we are winning
Then you roll the dice take a slide
Right back to the one from 99

Is it gonna go on like this forever
Are we gonna to take that last step together
Going round and round and up and down
Feels just like snakes and ladders

Track #9 from Mind, Body and Soul

2004

 
 

To listen to this track, please click on the next link: https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228?ref=hl

They Came From Denton High

 
 

The Rocky Horror Picture Show is a 1975 musical comedy horror film directed by Jim Sharman. The screenplay was written by Sharman and Richard O’Brien based on the 1973 eponymous musical stage production, also written by O’Brien. The production is a humorous tribute to the science fiction and horror B movies of the late 1930s through early 1970s. It stars Tim Curry, Susan Sarandon and Barry Bostwick along with cast members from the original Royal Court Theatre, Roxy Theatre and Belasco Theatre productions. The film production retains many aspects from the stage version such as production design and music, but features new scenes added not in the stage play. The originally proposed opening sequence was to contain clips of various films mentioned in the lyrics, as well as the first few sequences shot in black and white, but this was deemed too expensive, and scrapped.

Although largely ignored upon release, it soon gained notoriety as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. Still in limited release nearly four decades after its premiere, it has the longest-running theatrical release in film history. Today, the film has a large international cult following and is one of the most well-known and financially successful midnight movies of all time.

Richard O’Brien, a Briton raised in New Zealand, was living in London as an unemployed actor in the early 1970s. He wrote most of The Rocky Horror Show during one winter just to occupy himself. Since his youth, O’Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks and fifties rock and roll into his musical.

 
 

Dr. Frank N Furter (Tim Curry) displays Rocky (Peter Hinwood), his Adonis-like humanoid creation, to visitors Janet (Susan Sarandon) and Brad (Barry Bostwick)

 
 

O’Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to direct it at the small experimental space Upstairs at the Royal Court Theatre, Sloane Square, Chelsea, which was used as a project space for new work. O’Brien had appeared briefly in Andrew Lloyd Webber‘s Jesus Christ Superstar, directed by Sharman and the two also worked together in Sam Shepard‘s The Unseen Hand. Sharman would bring in production designer Brian Thomson. The original creative team was then rounded out by costume designer Sue Blane and musical director Richard Hartley, and stage producer Michael White was also brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was changed just before previews at the suggestion of Sharman to The Rocky Horror Show.

Inspired by “The Awakened One”

Supposed Former Infatuation Junkie is the fourth album and second internationally released album by singer-songwriter Alanis Morissette, released by Maverick Records in the United States on November 3, 1998. One line in the song So Pure, inspired its album’s title.

After the massive success of Jagged Little Pill (1995), Morissette was considered one of the biggest music stars in the world, and many fans anxiously awaited a follow-up album. A dark and wandering album, the mystery of Supposed Former Infatuation Junkie began on its cover, with an image of Alanis’s mouth while laughing and the following text printed over that image that refers to The Eight Precepts of Buddhism:

 
 

We ask you to abide
by the following
moral code upon
the premises.
Please refrain from
killing
stealing
lying
sexual misconduct
taking intoxicants
playing music, singing
please dress respectfully.

 
 

Design of the cover by Stefan G. Bucher

 
 

Stefan G. Bucher (born 1973) is an American writer, graphic designer and illustrator. He is the man behind the California design studio 344 Design.

Starting his career in the United States as an art director at Portland, Oregon advertising agency Wieden & Kennedy, Bucher went on to design numerous CD packages including Brand New Day: The Remixes for Sting, the soundtrack for the motion picture The Matrix with Keanu Reeves. His design of the 17th American Photography annual received the 2001 Silver Award for outstanding complete book design by British Design & Advertising. His more recent work for clients ranging from KCRW DJ Jason Bentley to art gallery L.A. Louver, and painter David Hockney makes more frequent use of illustration and hand-lettering.

 
 

(2006)

 
 

(2011)

 
 

(2012)

 
 

Bucher created the main title typography and title design for the films The Fall, Immortals, and Mirror Mirror, all directed by Tarsem Singh. He is the author of the book All Access – The Making of Thirty Extraordinary Graphic Designers.

Life Becomes Them

In her formative years, Monica Bellucci’s most intimate desire was to follow in the footsteps of Gina Lollobrigida, Silvana Mangano, Anna Magnani and Sophia Loren, four Italian muses that, (as she finally also achieved) became magnificent actresses in their country and abroad. Monica began her modeling career at Elite+ Models Agency working with several important brands like Revlon.

 
 

The Most Unforgettable Women in the World Wear Revlon, Ad Campaign phots by Richard Avedon, 1989

 
 

Legendary filmmaker Dino Risi (who directed movies starring by Monica Vitti, Sophia Loren and Ornella Mutti) offered her a leading role in 1990’s Vita coi Figli. Francis Ford Coppola, after watching photos of her in a portfolio offered her a small but arresting cameo in Bram Stoker’s Dracula (1992). Bellucci played one of Dracula’s brides who, in one particularly erotic scene, practically devoured Jonathan Harker, the fictional character performed by Keanu Reeves.

 
 

Producer Franco Rossellini, Isabella’s cousin, also appears in the Ad Campaign

 
 

By that time, Steven Meisel made this Dolce Gabbana’s Spring Summer Collection 1992 Ad Campaign inspired by La Dolce Vita (Federico Fellini, 1960), depicting playful mischief and self-indulgence behaviors along glittery outfits. The collection higlighted the trends of that season: short dresses, embroidered accents, bustiers with lifelike flowers, along with D&G’s stylistic signatures over the years, lingerie, lace and so on.

 
 

Goldie Hawn wearing a costume for the frisky photo shoot by Annie Leibovitz. Vanity Fair, March 1992.

 
 

Isabella Rossellini began her career as a model at 28, photographed by Bruce Weber for British Vogue. From 1982 to 1996, she became the exclusive face of Lancôme. Around October 1992, Rossellini made appearances in two of Madonna’s projects: her outrageous book Sex and the Erotica music video.

 
 

British Vogue cover by Bruce Weber, circa 1982

 
 

Lancôme Ads

 
 

That same year, in Death Becomes Her (Robert Zemeckis, 1992) she played Lisle, a mysterious, wealthy socialite who seems to be in her thirties. However, Lisle discloses her true age as 71, and reveals to Madeline (Meryl Streep) the secret of her beauty: a potion that promises eternal life and an ever-lasting youthful appearance. It has been said that after her appearance in that film, Lancôme was considering not renewing their contract with Rossellini.

 
 

Death Becomes Her Theatrical movie poster

 
 

 
 

The comedic film, Cactus Flower (Gene Saks, 1969) marked the return of Ingrid Bergman (Isabella Rossellini’s mother) to the movies. This, her first role in a comedy, garnered critical praise. Goldie Hawn won an Academy Award for Best Supporting Actress.