From a Fairy-Land

Dim vales-and shadowy floods-
And cloudy-looking woods,
Whose forms we can’t discover
For the tears that drip all over!
Huge moons there wax and wane-
Again-again-again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down-still down-and down,
With its centre on the crown
Of a mountain’s eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be-
O’er the strange woods-o’er the sea-
Over spirits on the wing-
Over every drowsy thing-
And buries them up quite
In a labyrinth of light-
And then, how deep!-O, deep!
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like-almost anything-
Or a yellow Albatross.
They use that moon no more
For the same end as before-
Videlicet, a tent-
Which I think extravagant:
Its atomies, however,
Into a shower dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again,
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.

Edgar Allan Poe
Fairy-Land

 
 

There is Love in You

 
 

Der Rabenkönig (The Raven King)

 
 

He Loves Me…He Loves Me Not

 
 

Weltenwanderer

 
 

Little Sister

 
 

A Light in the Dark

 
 

Digital artworks by Christian Schloe

A Power of Butterfly

“A power of Butterfly must be –
The Aptitude to fly
Meadows of Majesty concedes
And easy Sweeps of Sky -”

Emily Dickinson

 
 

Fly Away, Digital artwork by Christian Schloe

A Joint Experience Between Two Persons

Lover’s Farewell by Christian Schloe

 
 

“First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.

Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.

It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.”

Carson McCullers
The Ballad of the Sad Café and Other Stories

When There’s No Sign of Love in Sight

“The Heart is a lonely hunter with only one desire! To find some lasting comfort in the arms of another’s fire…driven by a desperate hunger to the arms of a neon light, the heart is a lonely hunter when there’s no sign of love in sight!”

Carson McCullers

 
 

Portrait of a Heart

 
 

Love is the Key

 
 

The Heartache

 
 

Set Your Heart Free

 
 

It Comes and It Goes

 
 

Digital artworks by Chilean artist Christian Schloe