Return to Earth

“…His first touch of the earth went nigh to kill.
«Alas!» said he, «were I but always borne
Through dangerous winds, had but my footsteps worn
A path in hell, for ever would I bless
Horrors which nourish an uneasiness
For my own sullen conquering: to him
Who lives beyond earth’s boundary, grief is dim,
Sorrow is but a shadow: now I see
The grass; I feel the solid ground – Ah, me!
It is thy voice – divinest! Where? – who? who
Left thee so quiet on this bed of dew?
Behold upon this happy earth we are;
Let us ay love each other; let us fare
On forest-fruits, and never, never go
Among the abodes of mortals here below,
Or be by phantoms duped. O destiny!
Into a labyrinth now my soul would fly,
But with thy beauty will I deaden it.
Where didst thou melt too? By thee will I sit
For ever: let our fate stop here – a kid
I on this spot will offer: Pan will bid
Us live in peace, in love and peace among
His forest wildernesses. I have clung
To nothing, lov’d a nothing, nothing seen
Or felt but a great dream! O I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone! Against his proper glory
Has my own soul conspired: so my story
Will I to children utter, and repent.
There never liv’d a mortal man, who bent
His appetite beyond his natural sphere,
But starv’d and died…”

John Keats

Endymion (Book IV)

Excerpt

 

Orpheus series, Return to Earth, Fred Holland Day, 1907

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Myself Afar

Afar, Fred Holland Day, 1907

 

THE DESERTED GARDEN

(Excerpt)

“…My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.

Another thrush may there rehearse
The madrigals which sweetest are;
No more for me! myself afar
Do sing a sadder verse.

Ah me, ah me! when erst I lay
In that child’s-nest so greenly wrought,
I laughed unto myself and thought
‘The time will pass away.’

And still I laughed, and did not fear
But that, whene’er was past away
The childish time, some happier play…

I knew the time would pass away,
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray!

The time is past; and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose, —

When graver, meeker thoughts are given,
And I have learnt to lift my face,
Reminded how earth’s greenest place
The color draws from heaven, —

It something saith for earthly pain,
But more for Heavenly promise free,
That I who was, would shrink to be
That happy child again.”

Elizabeth Barrett Browning

News for The Delphic Oracle

Pan Pipes, Fred Holland Day, 1897

 

“There all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall pythagoras.
plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.
Straddling each a dolphin’s back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its sacred laurel crowns,
They pitch their burdens off.”

William Butler Yeats

Hymn of Pan

In the Glade, Fred Holland Day, 1905

The nude model is shown with a statue of Pan, a symbol of Nature. Day placed a statue of Pan in a glade at his property in Maine. He photographed many of his models with the statue, and it became a symbol for the community of friends that Day had built up at his Maine home.

 

“From the forests and highlands
From the forests and highlands
We come, we come;
From the river-girt islands,
Where loud waves are dumb
Listening to my sweet pipings.
The wind in the reeds and the rushes,
The bees on the bells of thyme,
The birds on the myrtle bushes,
The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus* was,
Listening to my sweet pipings.
Liquid Peneus* was flowing,
And all dark Tempe lay
In Pelion’s* shadow, outgrowing
The light of the dying day,
Speeded by my sweet pipings.
The Sileni, and Sylvans, and Fauns,
And the Nymphs of the woods and the waves,
To the edge of the moist river-lawns,
And the brink of the dewy caves,
And all that did then attend and follow,
Were silent with love, as you now, Apollo,
With envy of my sweet pipings.
I sang of the dancing stars,
I sang of the daedal Earth,
And of Heaven, and the giant wars,
And Love, and Death, and Birth—
And then I chang’d my pipings,
Singing how down the vale of Maenalus
I pursu’d a maiden and clasp’d a reed.
Gods and men, we are all deluded thus!
It breaks in our bosom and then we bleed.
All wept, as I think both ye now would,
If envy or age had not frozen your blood,
At the sorrow of my sweet pipings.”

Percy Bysshe Shelley

 

*NOTES:

Tmolus: King of Lydia and husband to Omphale. He is the eponymous namesake of Mount Tmolus, which lies in Lydia.
Peneus: In Greek mythology, Peneus was a Thessalian river god, one of the three thousand Rivers (Potamoi), a child of Oceanus and Tethys.
Pelion: In Greek mythology, Mount Pelion (which took its name from the mythical king Peleus, father of Achilles) was the homeland of Chiron the Centaur, tutor of many ancient Greek heroes, such as Jason, Achilles, Theseus and Heracles.

Total Eclipse

Total Eclipse is an intelligent look at the relationship between Rimbaud and Verlaine and shows considerable insight into the bourgeois and artistic societies of the period as well as a moving understanding of homosexuality.

Christopher Hampton was only 22 when he wrote this play. He studied Rimbaud’s work at Oxford. Hampton became involved in the theatre while at that University where OUDS performed his play When Did You Last See My Mother?, about adolescent homosexuality, reflecting his own experiences at Lancing College. He is best known for his play based on the novel Les Liaisons dangereuses and the awarded film version Dangerous Liaisons (1988) and also more recently for writing the nominated screenplay for the film adaptation of Ian McEwan‘s Atonement.

 

 

Long before there were rock stars, there was rock star attitude, as displayed with spectacular insolence by the teen-age French poet Arthur Rimbaud. Rimbaud’s long shadow reaches not only into academe, where the writing he did before abandoning poetry at 20 is still much admired, but also into popular culture, where Bob Dylan, Jim Morrison or Patti Smith would not have been possible without him.

Total Eclipse is a 1995 film directed by Agnieszka Holland, based on a 1967 play by Christopher Hampton, who also wrote the screenplay. Based on letters and poems, it presents a historically accurate account of the passionate and violent relationship between the two 19th century French poets Paul Verlaine (David Thewlis) and Arthur Rimbaud (Leonardo DiCaprio), at a time of soaring creativity for both of them.

River Phoenix was originally attached to the project, but the part of Rimbaud went to Leonardo DiCaprio after Phoenix’s death. And John Malkovich was initially attached to play Verlaine, but pulled out. This movie has Leonardo Dicaprio’s first onscreen kiss (with costar David Thewlis).

Over the Short Grass

SENSATION

“Par les soirs bleus d’été, j’irai dans les sentiers,
Picoté par les blés, fouler l’herbe menue :
Rêveur, j’en sentirai la fraîcheur à mes pieds.
Je laisserai le vent baigner ma tête nue.

Je ne parlerai pas, je ne penserai rien :
Mais l’amour infini me montera dans l’âme,
Et j’irai loin, bien loin, comme un bohémien,
Par la nature, heureux comme avec une femme.”

Arthur Rimbaud

Mars 1870

 

_______________________

 

“On the blue summer evenings, I will go along the paths,
And walk over the short grass, as I am pricked by the wheat:
Daydreaming I will feel the coolness on my feet.
I will let the wind bathe my bare head. I will not speak,
I will have no thoughts: But infinite love will mount in my soul;
And I will go far, far off, like a gypsy,
through the countryside – as happy as if I were a woman.”

 

Holland, David Thewlis and Leonardo DiCaprio on the set of Total Eclipse (Agnieszka Holland, 1995)