“It happens very often that a man has it in him, that a man does something, that he does it very often that he does many things, when he is a young man when he is an old man, when he is an older man. One of such of these kind of them had a little boy and this one, the little son wanted to make a collection of butterflies and beetles and it was all exciting to him and it was all arranged then and then the father said to the son you are certain this is not a cruel thing that you are wanting to be doing, killing things to make collections of them, and the son was very disturbed then and they talked about it together the two of them and more and more they talked about it then and then at last the boy was convinced it was a cruel thing and he said he would not do it and his father said the little boy was a noble boy to give up pleasure when it was a cruel one. The boy went to bed then and then the father when he got up in the early morning saw a wonderfully beautiful moth in the room and he caught him and he killed him and he pinned him and he woke up his son then and showed it to him and he said to him see what a good father I am to have caught and killed this one, the boy was all mixed up inside him and then he said he would go on with his collecting and that was all there was then of discussing and this is a little description of something that happened once and it is very interesting. ”
The Making of Americans: Being a History of a Family’s Progress
Visiting Italy in 1907, Henri Matisse was deeply impressed by the frescoes of Giotto, the 14th-century artist who ushered in the Italian Renaissance. Matisse especially liked Giotto‘s simplified volumes and restricted primary colors. In response to his Italian experiences, Matisse set about making Fauvism more dramatic and monumental. Here, he created a spare landscape composed of flat areas of land and sky with a single grand figure. The boy was modeled after the nephew of Leo and Gertrude Stein.