A Matter of Life and Death

“I find the vast majority of fashion is perpetuating something that has already been – particularly with how human beings are portrayed within it. I find it repetitive; I think I’ve always been drawn to something that’s a little more individual.”

Tim Walker

 
 

Malgosia Bela by Tim Walker, Harper’s Bazaar October 2009

 
 

A private worldVogue Italia November 2008. Models: Alice Gibb, Sunniva Stordahl

 
 

Nathaniel Lyless and his bone bed, 2010

 
 

Agyness Deyn with Skull pipe, 2011

 
 

Tim Walker’s fascination with the make-believe world of fashion photography started early. As a 19-year-old intern at Vogue he established its Cecil Beaton Archive before studying art and photography at Exeter Art College. On graduation he worked briefly as a freelance photographic assistant in London before moving to New York as full-time assistant to Richard Avedon. At 25 he shot his first Vogue fashion story. He was the recipient of the second ‘Isabella Blow Award for Fashion Creator’ at the British Fashion Awards (2008) and the following year he received an Infinity Award from the International Center of Photography, New York, for his fashion photography. In 2011 his short film The Lost Explorer premiered at Lorcano Film festival and went on to win the Jury Award at the Chicago United Film Festival. He is also well known for his advertising campaigns for Mulberry, Hèrmes, Valentino and many others.A Matter of Life and Death (Michael Powell & Emeric Pressburger, 1946) is one of the films that have inspired and influenced some of his images.

Birds of Passage

McQueen haven’t released an Ad Campaign from 2003. Craig McDean was the photographer of his 2008-2009 Autumn/Winter Collection, Tabita Simmons was the stylist and Alice McGibb was the model.

 
 

Alexander McQueen at the the ending of his AW 2009-2010 fashion show

 
 

254. Song of the Universal

 

“Come said the Muse,

Sing me a song no poet yet has chanted,

Sing me the universal.

In this broad earth of ours,

Amid the measureless grossness and the slag,

Enclosed and safe within its central heart,

Nestles the seed Perfection.”

 

Walt Whitman