Symbols of the Transcient of Life

Composition with Skulls, 1908

 
 

Skulls, Urchins and Lamp on a Table, 1943

 
 

Skulls and Leeks, 1945

 
 

Black Jug and Skull, 1946

 
 

Skulls, traditional symbols of the memento mori in Western art history, fascinated Pablo Picasso throughout his life. Throughout World War II in occupied Paris, Picasso produced many skulls and still lifes that captured the tense and uncertain mood of the city. While they may represent allegories of human mortality in art, the immediacy of Picasso’s paintings and sculptures transform his skulls into poignant emblems of human vulnerability, death, and the senseless destruction of war.

 
 

Skull, 1943

 
 

Picasso created Skull during the Nazi occupation of Paris, which he may have modeled off of skulls kept in his studio as many artists did, such as Paul Cézanne who stored several on his mantelpiece.

 
 

Naturaleza muerta Vanitas (Still-life Vanitas), Antonio de Pereda, 1650/1660

 
 

Along with Cézanne, Picasso must have drawn inspiration from Antonio de Pereda’s Vanitas (1660) paintings, in which the artist has rendered the bone structure of carefully crafted craniums in a meticulous manner. These skulls are but sober reminders of the body’s demise and universal symbols of the expiration of man’s existence and the transience of life, which Picasso has rendered in his own inimitable fashion.

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