In an Endless Journey

“The vision is of me in an endless journey. I am a vehicle. I am a vehicle for all of the ideas. And I’m not riding away or towards anything, I’m just in endless state of creativity.”

Lady Gaga

Front cover by Nick Knight. Make-up by Val Garland

On April 17. 2011, the cover art for the album was released, and featured Gaga fused into a motorcycle. Gaga’s name does not appear on the standard edition album cover, the only text is the chrome writing across the top reading the album’s name in Akzidenz-Grotesk. The expanded edition feature a closeup of Gaga’s head with her name and the album name written on the top right corner in Impact. The picture used for the cover was taken on December 14, 2010 during the same photoshoot as the Born This Way single cover.

In Gagavision 42 during a Haus meeting, Gaga is shown explaning that she hates the word “deluxe” and doesn’t want it to be on the cover.

Mar 15

The Face of Legends

“There are very few people that have escaped my eye. It was only when I finished my career did I realize what I’d done. I’ve done the best people ever. And there will never be people to match them. Ever.”

Terry O’Neill

Self-portrait

Terry O’Neill began his career working in a photographic unit for an airline at London’s Heathrow Airport. During this time, he photographed a sleeping figure in a waiting area whom, by happenstance, was revealed to be Britain’s Home Secretary. O’Neill thereafter found further employment on Fleet Street with The Daily Sketch in 1959. His first professional job was photographing Laurence Olivier.

Laurence Olivier, Back Stage, London, 1962

His reputation grew during the 1960s. In addition to photographing the decade’s show-business elite such as Judy Garland, The Beatles and The Rolling Stones, he also photographed members of the British Royal Family and prominent politicians, showing a more natural and human side to these subjects than had usually been portrayed before. O’Neill had a longtime relationship with Faye Dunaway. They were married from 1983 until 1986.

Judy Garland and her daughter Liza Minnelli, 1963

Terry O’Neill rose to fame in the 1960’s in London, where he snapped this photo of the Beatles at Abbey Road, during the year they released their three classic albums, Please, Please… Me, Introducing the Beatles and With the Beatles. This image hangs in the National Portrait Gallery in London

The Rolling Stones outside St. George’s Church in Hanover Square, London, 17th January 1964

“Because I used to be a jazz musician, people at the paper asked me, ‘You know about music, who’s going to be the next pop group?’ I said, ‘I’ve been watching a group called The Rolling Stones. They’re a blues group but they’re good’. I went to photograph them and they [the newspaper editors] were horrified. They thought they looked like five prehistoric monsters. They said, ‘There’s got to be some good-looking ones!’”

This stunning portrait of Marianne Faithful was taken the year she was discovered at a Rolling Stones record release party by manager Andrew Loog Oldham

Actress Audrey Hepburn, swimming in the South of France during the filming of Two For The Road (Stanley Donen, 1967)

Frank Sinatra arrives at Miami beach with his entourage (including his stand-in, dressed in an identical suit and less well-dressed beefy minders) while filming Lady In Cement (Gordon Douglas, 1968)

American actor Steve McQueen looking thoughtful in his Hollywood office, 1968

Scottish actor Sean Connery and French actress Brigitte Bardot meet for the first time in Deauville, before the filming of Shalako (Edward Dmytryk, 1968)

French actress and sex symbol Brigitte Bardot on the set of The Ballad Of Frenchie King (Christian-Jaque, 1971), a comedy western, filmed in Almeria, Spain

Rod Stewart, Windsor, 1971

Actor Paul Newman resting his head on an actress Ava Gardner during a break from filming John Huston’s 1972 comedy western The Life and Times of Judge Roy Bean

Director John Huston and Ava Gardner, 1972

English pop star and pianist Elton John performs at the Dodger Stadium in Los Angeles, October 1975

Singer David Bowie sharing a cigarette with actress Elizabeth Taylor in Beverly Hills, 1975. It was the first occasion that the pair had met

Singer Bruce Springsteen walking down Sunset Strip with his hands in the pockets of his leather jacket, 1975

German actress Marlene Dietrich walking on stage for a curtain call, 1975

Actress Faye Dunaway resting by the Beverly Hills Hotel swimming pool the morning after she recieved the 1976 Best Actress Academy Award. There are newspapers on the floor and her Oscar is on the table, 29th March 1977

Elton John and lyricist Bernie Taupin outside the famous Paris cafe, Aux Deux Magots. The pair have collaborated on more than 30 albums over a 40 year partnership, 1980

Anjelica Huston, promotional picture for Witches (Nicholas Roeg, 1990), a fantasy film based on the book of the same name by Roald Dahl

British actor and musician Sting, lead singer and bassist with pop group The Police, 1985

Amy Winehouse

“I was working on a present for Nelson Mandela, when he came here for his 90th birthday and there was a concert for him in Hyde Park. Amy was due to sing but she was in hospital. She actually got out of bed to come and perform. I only took two frames but I’m so glad I did because she was a really talented lady.”

More Terry O’Neill photographs:

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Nov 2

Warhol and Westwood’s Royalty

The Andy Warhol-esque painted makeup was created by Val Garland and her assistants. “Think the Queen meets a bad Elizabeth Taylor or an odd Marilyn Monroe with a passing nod to Debbie Harry and an occasional reference to Grace Jones,” said Garland.

Vivienne Westwood Red Label Spring- Summer 2013 collection was inspired by British royal gardens. Throughout history; architecture, aesthetics and fashions from across the globe have influenced these British country gardens. From the squared formality of renaissance style to the pastoral passions of the Victorian era, the garden has remained a favorite and romantic sanctuary for our royal family. Beyond these private enclosures lie flower gardens and orchards, with vast outdoor space for bowling, tennis and croquet as well as picnics, weddings and garden parties- it is these royal occasions that were in mind when the collection was designed. The colour palette references Tudor knot gardens where earth, sand, and rich dusty red bricks were used to fill open spaces between the frosty cold greys, greens and blues of the shrubs. Micro checks and fine wools offer a cool alternative to the summer dress and gingham knits are perfect for impromptu picnics and more informal occasions. For cocktail and evening the colour palette is pale and cold- with impressionistic lily ponds printed on fine, fluid jersey with details of metallic silver embroidery and draped jackets and cigarette pants with duchesse trim to give a softer tuxedo alternative. There are also more glamorous evening dresses in regal midnight blues, black and gold in full & straight silhouettes teamed with steely tones and frosty paillettes somehow reminding you of an early morning summer frost.

Mar 4

A Tribute To The Seventh Art

Mark Summer’s process of drawing

Step 1: A quick sketch to block out the final composition.

Step 2: The preliminary sketch
“I don’t always go to this extreme for a rough sketch- only if the piece is fairly complex or if the client needs to see some indication of where the exact light and darks will fall. I’m not sure how I wound up doing sketches in such a Byzantine fashion, but it is a quick way to determine the overall tone.
This is a simple line drawing, done with a felt tip pen. On tracing paper- I then spray mount it onto a light toned paper. The highlights are acrylic paint. Even after this step I will still tend to “fiddle.” If I feel a hand is too small, or a figure too large I photocopy it to the proper size and just paste it in.”

Step 3: The finished black and white.
“Each drawing begins as a black square. After this, using a knife, I scratch white lines into the surface. I try to discourage clients from asking to see “the work in progress,” as at any time there will be an entirely finished head here, a hand there, all floating in a sea of black.
I tend to work size-as (this drawing is 12” high- each face being approximately 2” high.) In a drawing such as this, I find it takes a full day to finish each figure. I then have the finished work scanned and printed onto photographic paper.”

Step 4: Finished color.
“A fast process, as the black and white drawing already defines the modeling. Simple flat tones of color are all that are really needed. I paint details with watercolor and then everything else with oil glazes. Sometimes I go in and smooth things out with airbrush. The final step is to paint in highlights with acrylic.

The coloring of this piece took about three hours.”

Orson Welles (as Charles Foster Kane), hominid (from Kubrick’s 2001: A Space Oddyssey), Peter O’Toole (as Lawrence of Araby), Alfred Hitchcock, Marlon Brando (as Vito Corleone), Judy Garland (as Dorothy), James Stewart, Humphrey Bogart (as Rick Blaine) and Vivian Leigh (as Scarlett O’Hara).