Underneath The Christmas Tree Coat

Anne Gunning wearing Jacques Fath’s voluminous pleated taffeta evening wrap The Christmas Tree Coat, 1951

 

CHRISTMAS TREE

Light me up put me on top, let’s
Fa-la-la-la-la, la-la, la, la
Light me up put me on top, let’s
Fa-la-la-la-la, la-la, la, la

The only place you’ll wanna be is

My Christmas tree’s delicious
Oh ,oh, a Christmas
My Christmas tree’s delicious

Light you up put you on top, let’s
Fa-la-la-la-la, la-la, let’s go
Light you up put you on top, let’s
Fa-la-la-la-la, la-la, let’s go

Ho ho ho, under the mistletoe
Yes everybody knows
We will take off our clothes
Yes, if you want us to we will

You, oh ,oh, a Christmas
My Christmas tree’s delicious
Oh ,oh, a Christmas
My Christmas tree’s delicious

Here, here, here, the best time of the year
Take off my stocking’s, we’re
Out spreading Christmas cheer
Yes, if you want us to we will

You, oh ,oh, a Christmas
My Christmas tree’s delicious
Oh ,oh, a Christmas
My Christmas tree’s delicious

Space cowboy, Lady Gaga, Lady Gaga
And she goes
Space cowboy, Lady Gaga, Lady Gaga
Here we go

Cherry, cherry, boom, boom

Lady Gaga

 

To watch Lady Gaga’s music video, please take a gander at The Genealogy of Style’s Facebook page: https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228?ref=hl

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A Commentary on Television Overtaking Radio’s Popularity

Still from Radio Gaga (David Mallet, 1983) music video

 
 

The inspiration for Radio Gaga came when Roger Taylor heard his son utter the words “radio ca-ca” while listening to a bad song on the radio while they were in Los Angeles. After hearing the phrase, Taylor began writing the song when he locked himself in a room with a Roland Jupiter-8 and a drum machine. He thought it would fit his solo album, but when the band heard it, John Deacon wrote a bassline and Freddie Mercury reconstructed the track, thinking it could be a big hit. Taylor then took a skiing holiday and let Mercury polish the lyrics, harmony, and arrangements of the song. Recording sessions began at Record Plant Studios and included Canadian session keyboardist Fred Mandel, who later on would work with Supertramp and Elton John. Mandel programmed the Jupiter’s arpeggiated synth-bass parts. The recording features prominent use of the Roland VP330+ vocoder. The bassline was produced by a Roland Jupiter-8, using the built-in arpeggiator.

Recorded in 1983 and released in January 1984, the song was a commentary on television overtaking radio’s popularity and how one would listen to radio in the past for a favorite comedy, drama, or science fiction programme. It also pertained to the advent of the music video and MTV, which was now competing with radio as an important medium for promoting records. Ironically, Queen had done much to popularize the music video with Bohemian Rhapsody in 1975 and the video for Radio Ga Ga would become a regular staple on MTV in 1984. It was nominated for an MTV Video Music Award that year. Roger Taylor was quoted:

“ That’s part of what the song’s about, really. The fact that they [music videos] seem to be taking over almost from the aural side, the visual side seems to be almost more important.

The song makes reference to two important radio events of the 20th century; Orson Welles‘ 1938 broadcast of H.G. WellsThe War of the Worlds in the lyric “through wars of worlds/invaded by Mars”, and Winston Churchill‘s 18 June 1940 This was their finest hour speech from the House of Commons, in the lyric “You’ve yet to have your finest hour”. American pop singer Lady Gaga credits her stagename to this song. She stated: “I adored Freddie Mercury and Queen had a hit called ‘Radio Gaga’. That’s why I love the name.”

David Mallet‘s music video for the song features scenes from Fritz Lang‘s 1927 German expressionist science fiction film Metropolis and was filmed at Carlton TV Studios and Shepperton Studios, London, in November 1983. It features the band in a car flying over the title city, and later performing the song in front of the city’s working class. Freddie Mercury’s solo song Love Kills was used in Giorgio Moroder‘s restored version of the film, and in exchange Queen were granted the rights to use footage from it in their Radio Ga Ga video. However, Queen had to buy performance rights to the film from the communist East German government, which was the copyright holder at the time. At the end of the music video, the words “Thanks To Metropolis” appear.

 

To watch the music video, please take a gander at The Genealogy of Style’s Facebook page: https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228?ref=hl

Girl Under Ursidae

BEARS

Scientific Classification

Kingdom: Animalia
Phylum: Chordata
Class: Mammalia
Order: Carnivora
Suborder: Caniformia
Family: Ursidae

 
 

Bad Romance (Francis Lawrence, 2009) music video. The polar bear coat was designed by Benjamin Cho. It was presented on his Spring 2005 runway show for which he joined forces with The Humane Society of the United States – the nation’s largest animal protection organization – and Glenoit Fabrics to present an innovative and daring collection, incorporating faux fur as an essential to the socially conscious wardrobe.

 
 

G.U.Y. (Lady Gaga, 2013) The paper teddy bear suit, was created by Polish designer Bea Szenfeld.The bear cutout was from the Stockholm-based designer’s spring 2014 “haute papier” collection of fantasy swimwear, Sur La Plage (On the Beach). A description of the collection says that the paper “undergoes a complete metamorphosis” that “leads your mind to Jules Verne’s fictitious sea demons.”

Plush Toy Coats

“My Teddy bear coat was a conceptual exercise created in 2002 as an homage to the Campana Brothers and their famous stuffed animal chair. I only heard about Castelbajac in 2009 when people saw Gaga and started asking me if I was working with her.”

Sebastián Errázuriz

 
 

Teddy bear coat by polymath Chilean designer Sebastián Errázuriz

 
 

The jacket, as Errázuriz himself would say, is designed to honor the 80’s eco-friendly fur campaigns but at the same time it seems to serve as a bitter criticism to the fur comeback on the runways.

 
 

Teddy bears — 39 to be precise — festooned a snuggly 1989 Jean-Charles de Castelbajac winter coat that was worn by Madonna and Lauren Hutton. This infamous “teddy bear coat”, worn by Madonna, was also inspired by a childhood devoid of toys.”Throughout my career I have explored themes associated with childhood. It’s not that I didn’t want to grow up,” he explains. “When I was a kid, I was living an adolescent life, when I was a teenager I was living an adult life, so I believe my time for childhood is now”

 
 

Jean-Charles de Castelbajac, Fall 2009 collection

 
 

20 years later, Kermit, that lovable Muppet frog, emerged as the inspiration for an JCDC plush toy coat worn by Lady Gaga

A Bump on the Way

“…Not only did Lady Gaga reproduce works by the artist, but she also drew inspiration from her concepts. Orlan’s entire universe of hybridizations was copied in the Born This Way album, such as giving birth to oneself, which is seen in Orlan’s photography series Orlan accouche d’elle-m’aime (ou d’elle-m’aime)”, 1964-66. The inspiration went too far.”

Philippe Dutilleul-Francoeur
(ORLAN‘s lawyer)

 
 

(Orlan Gives Birth to Herself) or (to Her Beloved Self)

 
 

Orlan (born Mireille Suzanne Francette Porte) is a French artist, born May 30, 1947 in Saint-Étienne, Loire. She adopted the name Orlan in 1971, which she always writes in capital letters : “ORLAN”.

ORLAN, well-known for using her body as a tool for her art, sued Gaga for plagiarism, saying the singer has counterfeited three of her works through her Born This Way era, and especially in her Born This Way music video.

The works that are being talked about here are Bumpload, a sculpture representing ORLAN as a sort of bionic hybrid, that is, according to the artist, what inspired the Born This Way album cover.

The second work is the 1996 installation Woman with head, that has apparently been “copied” by Gaga through one of the BTW video sequences.

Finally, ORLAN pretends Gaga simply stole her life, her universe, and especially the face implants that the artist has infamously got through a surgery-performance in the 90s.

 
 

Bumpbload, ORLAN, 1989

 
 

 Album cover designed by Nick Knight

 
 

Woman with Head, ORLAN, 1996

 
 

Screen shot from Lady Gaga’s Born This Way (Nick Knight, 2011) music video

Roseland Ballroom

“A stranger took this picture of me in 2008 on the LES in NY, before I was ever a star. We found him and used that same photo for my Roseland poster.”

 
 

Lady Gaga Live at Roseland Ballroom was the first residency show by American singer Lady Gaga. Performed at the Roseland Ballroom in Manhattan, New York, the residency show began on March 28 and concluded on April 7, 2014, after completing seven shows. It was the final event hosted by the venue after it was announced that it was being closed down and being replaced with a 42-story skyscraper. Gaga revealed that Roseland was the only venue in New York City that she had never played, although she had visited there previously to watch shows. A poster announcing the event was released, showing an old image of Gaga taken before the time she became successful as a recording artist.

 
 

Roseland Ballroom exterior, indicating the sold out Lady Gaga concert

 
 

 
 

As an homage to the venue, the stage was decorated with roses. The multi-leveled set-up consisted of New York City fire escape routes. Other parts of the stage had a ladder reaching the mezzanine floors and a replica of an F train carriage. Gaga’s wardrobe was also rose themed, with leotards, hats and jackets, and instruments adorned with red roses. The main set list for the show encompassed songs from The Fame, The Fame Monster, Born This Way, and Artpop. Some tracks were performed in acoustic versions.

 
 

LLady Gaga giving proper goodbye to Roseland Ballroom with Rose Inspired See-Through Outfit, March 28, 2014. She celebrated turning 28 wearing this kind of updated “birthday-suit”

In an Endless Journey

“The vision is of me in an endless journey. I am a vehicle. I am a vehicle for all of the ideas. And I’m not riding away or towards anything, I’m just in endless state of creativity.”

Lady Gaga

 
 

Front cover by Nick Knight. Make-up by Val Garland

 
 

On April 17. 2011, the cover art for the album was released, and featured Gaga fused into a motorcycle. Gaga’s name does not appear on the standard edition album cover, the only text is the chrome writing across the top reading the album’s name in Akzidenz-Grotesk. The expanded edition feature a closeup of Gaga’s head with her name and the album name written on the top right corner in Impact. The picture used for the cover was taken on December 14, 2010 during the same photoshoot as the Born This Way single cover.

 
 

In Gagavision 42 during a Haus meeting, Gaga is shown explaning that she hates the word “deluxe” and doesn’t want it to be on the cover.

Fashion of Their Love

I never was the kind of girl,
That’s naturally sure when it comes to love, oh no!
I was insecure, insecure!
But when it comes to you and me
I can’t deny this feeling inside,
Oh no, I never felt like this before!
This before, oh, no!

Chorus:
I’m seeing all the signs from above
I’m gonna be the one that he loves
I was made for loving him
The fashion of his love
Oh yeah
I’m gonna be his first and last kiss,
‘Cause honey I was born to be his
I was made for loving him
The fashion of his love

You know that I’d never cheat on a man
‘Cause I’m not like that
I’m physically crafted to be
As fitting as McQueen
But when it comes to clothing I’m bad
I’m fashionably just designed to be grand
Oh and he’s no accessory to me
Oh to me, no no, no!

No I just can’t seem to forget you
No I can’t for just as long as I met you
You’re my babe right through
I was made for you (I was made for you)

Chorus:
I’m seeing all the signs from above
I’m gonna be the one that he loves
I was made for loving him
The fashion of his love
Oh yeah
I’m gonna be his first and last kiss,
‘Cause honey I was born to be his
I was made for loving him
The fashion of his love

They say you need a strong man
Not just a friend
But baby my search is done
No longer reason to cry or to justify
How I feel for you my love

I’m seeing all the signs from above
I’m gonna be the one that he loves
I was made for loving him
OH YEAH

I’m seeing all the signs from above
I’m gonna be the one that he loves
I was made for loving him
The fashion of his love (oh yeah)

I’m gonna be his first and last kiss,
‘Cause honey I was born to be his
I was made for loving him
The fashion of his love

I’m gonna be his first and last kiss,
‘Cause honey I was born to be his
I was made for loving him
The fashion of his love

Lady Gaga

 
 

Image from Visionaire 58 SPIRIT

 
 

Fashion of His Love is a song Lady Gaga wrote to Alexander McQueen as a tribute. His last name is mentioned in the second verse. The song was one of the first song written for her third album, Born This Way.

A Statement About the Transience of Life and Fashion

“Visionaire first featured the designs of Lee Alexander McQueen in 1996 and since that time, he has been a continuous inspiration and a presence in Visionaire. McQueen’s special commissions are among our most treasured contributions. His daring designs and challenging ideas of fashion have consistently excited and provoked us.”

Stephen Gan, Cecilia Dean and James Kaliardos

Magazine’s founders

 
 

Visionaire 58 SPIRIT, a limited-edition of 1500 numbered copies

 
 

Protected in a modernly-chic white box, the tri-annual fashion and art publication Visionaire has released its tribute to the life and work of late fashion designer and icon Lee Alexander McQueen. The issue includes a collection of photographs by Nick Knight, Lady Gaga, Steven Klein, Steven Meisel, Inez van Lamsweerde & Vinoodh Matadin, Mario Testino, Mario Sorrenti and more, each printed on a piece of pulp paper embedded with wildflower seeds that will actually blossom if you plant them, water them and give them enough sun. However, with its striking images and homage to a true fashion legacy, we don’t intend to plant the pages anytime soon. Plus, the case features a metalized brocade detail from the designer’s final collection. All in all, a very romantic collector’s piece.

Several years before issue 58 came to be (2003), Alexander “Lee” McQueen came to the Visionaire office to discuss collaborating on an issue that ultimately never happened. One day, the staff was discussing a potential issue printed on seeded paper, and the next day, news came that McQueen, one of the most brilliant creative minds of our time, had passed away. The team took this as a sign and dedicated SPIRIT to him. The issue set out to commemorate McQueen’s life and career by publishing the imagery that had defined it.

 
 

Alexander McQueen by Steven Klein

 
 

Illustration by François Berthoud

 
 

Mert Alas and Marcus Piggott for Visionaire 29 WOMAN

 
 

Mert Alas and Marcus Piggott for Visionaire 26 FANTASY

 
 

Horst Diekgerdes and Camille Bidault Waddington for Visionaire 25 VISIONARY

 
 

Alexander McQueen and Phil Pointer for Visionaire 24 LIGHT

 
 

Nick Knight for Visionaire 20 COMME DES GARÇONS

 
 

Steven Klein for Visionaire 18 FASHION SPECIAL

From the Point of View of a Villain

“God makes all things good; man meddles with them and they become evil.”

Jean-Jacques Rousseau

 
 

 
 

A beautiful, pure-hearted young woman, Maleficent, has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. Maleficent rises to be the land’s fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her pure heart to stone. Bent on revenge, Maleficent faces a battle with the invading king’s successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and perhaps to Maleficent’s true happiness as well.

 
 

Theatrical release poster

 
 

On May 12, 2009, it was revealed that Brad Bird was developing a live-action motion picture based on Walt Disney‘s Sleeping Beauty (Clyde Geronimi, Les Clark, Eric Larson, and Wolfgang Reitherman, 1959), retold from the point of view of Maleficent with Angelina Jolie starring as the eponymous character. In January 2010, it was rumored that Tim Burton was to direct the film. Reports surfaced online in May 2011 stating that Burton had left the project to focus on his other upcoming projects; Disney began to look for a replacement director, with David Yates being cited as a potential candidate due to his experience with the fantasy genre, having directed the final four Harry Potter films. On January 6, 2012, Disney announced that Robert Stromberg would direct the film.

 
 

The character is Disney’s version of the wicked fairy godmother from the original French fairy tale, loosely based on Carabosse from Tchaikovsky’s famous ballet

 
 

Maleficent (2014) marks the directorial debut of Robert Stromberg after serving as a visual effects supervisor on numerous films, including Master and Commander: The Far Side of the World (Peter Weir, 2003), and more significantly, as a production designer of Avatar (James Cameron, 2009), Alice in Wonderland (Tim Burton, 2010), and Oz the Great and Powerful (Sam Raimi, 2013); the first two films earned him consecutive Academy Awards for Best Production Design.

Angelina Jolie also said that “having a director (Robert Stromberg) coming from the world of production design really helped pull me into the fairy tale world. The film is beautiful but also has a sexy, dark edge because the story is coming from the point of view of a villain.”

 
 

By coincidence, Maleficent (2014) was released on May 30, 2014; precisely the same year as the 55th anniversary of Walt Disney’s classic Sleeping Beauty (1959)

 
 

Angelina Jolie worked very closely with Anna B. Sheppard,the costume designer and make-up department to develop Maleficent’s menacing look. Disney executives objected, hoping to take advantage of Jolie’s beauty in marketing the film, but the actress insisted that the character maintain the scarier look of the animated incarnation. Maleficent’s prosthetics and make-up were inspired by singer Lady Gaga, particularly on her Born This Way album cover.

 
 

Single cover designed by Nick Knight

 
 

Angelina Jolie based her character’s speech and accent in homage of the original Sleeping Beauty voice actor Eleanor Audley. Her laughter in the film was also based on the best variation she tried in front of her children and chosen by them.

 
 

Vivienne Jolie-Pitt, who portrays Princess Aurora as a young girl, is the daughter of Angelina Jolie (who plays Maleficent in the movie) and Brad Pitt

 
 

Angelina Jolie was definitely interested to be in the movie to begin with. She repeatedly stated it was because 1.) she grew up on Disney movies as a child, especially Sleeping Beauty (1959); she was quite fond of the character Maleficent: “Since I was a little girl, Maleficent was always my favorite,” Jolie said. “I was terrified of her, but I was also drawn to her. I wanted to know more about her. She had this elegance and grace, yet she was wonderfully, deliciously cruel,” 2.) she wanted to a movie in which her children can go see her in, as well as the fact that her children really also wanted her to be in the movie, 3.) the beauty, warmth, complexity, and strong intelligence of the script, and 4.) she was very impressed with Maleficent’s characterization for this film. In fact, Jolie also served as an executive producer on the film.

 
 

Maleficent marked the first time that Elle Fanning has appeared in a film opposite Angelina Jolie, after starring opposite Brad Pitt, Jolie’s fiancé, in The Curious Case of Benjamin Button (David Fincher, 2008).

Matisse-Inspired Fashion


Long evening dresses inspired by Henri Matisse-inspired evening gowns by Yves Saint Laurent, Autumn/Winter 1980-1981 collection. Black velvet and moire faille, multicolored satin applique leaves

 
 

Yves Saint Laurent Couture Spring/Summer 1992 (Une Renaissance, based on Henri Matisse’s colors in Morocco)

 
 

Lady Gaga wearing a vintage Yves Saint Laurent blouse (Autumn/Winter 1980-1981 collection)

 
 

Vintage 1980’s Valentino Sheer Silk Georgette Jacket with Hood

 
 

Vivienne Westwood Nostalgia of Mud (Buffalo Girls) collection printed cotton jersey toga dress, Autumn/Winter, 1982-1983. World’s End labelled, the pink gown cut shorter at the front and with long train-like panel printed in dark brown with Matisse inspired motifs

 
 

Vera Wang Spring/Summer 2006 (inspired by the way Henri Matisse’s models dressed)

 
 

Etro Spring/Summer 2006

 
 

Carolina Herrera Spring-Summer 2010 Bridal collection. Wedding dress inspired by Matisse’s paper cut outs

 
 

Roland Mouret Spring/Summer 2012 (inspired in part by the women close to Henri Matisse)

 
 

Basso & Brooke Autumn/Winter 2012-2013

 
 

Kenzo by Antonio Marras

 
 

Printed leather trainers, also by Kenzo

 
 

Fendi Spy Bag

 
 

Jean-Claude Jitrois

 
 

Issey Miyake

 
 

Ostwald Helgason s/s 2013

 
 

 Liu Qingyang

 
 

Versace, Spring Summer 2012 Resort collection. Vacation dresses in a tropical print inspired by Matisse’s Bouquet

 
 

Tata Naka Autumn/Winter 2014-2015 Pre Collection

Dum Vivimus Vivamus

Dum vivimus vivamus is a Latin phrase that means “While we live, let us live”. It is often taken to be an epicurean declaration.

Emily Dickinson once used it in a letter written to William Howland:

“Sic transit gloria mundi*
How doth the busy bee,
Dum vivimus vivamus,
I stay my enemy!”

 
 

Portrait of Salvador Dalí, Philippe Halsman

 
 

Brion Gysin

 
 

Alfred Hitchcock

 
 

One of the members of Jefferson Airplane by Jim Marshall

 
 

Andy Warhol and Mick Jagger

 
 

Still from Tommy (Ken Russell, 1975)

 
 

David Bowie

 
 

Tim Burton

 
 

Beck Hansen

 
 

Michael Stipe, Mario Sorrenti for Interview Magazine, March 2011

 
 

Lady Gaga and model Rick Genest, still from Born This Way music video (Nick Night, 2011)

 
 

*Sic transit gloria mundi is a Latin phrase that means “Thus passes the glory of the world.” It has been interpreted as “Worldly things are fleeting.” It is possibly an adaptation of a phrase in Thomas à Kempis‘s 1418 work The Imitation of Christ: “O quam cito transit gloria mundi” (“How quickly the glory of the world passes away”).

Sylvia Plath’s Influence on Popular Culture

The Unabridged Journals of Sylvia Plath on The Gilmore Girls, Season 1, Episode 12, Double Date

 
 

Stills and dialogue from Annie Hall (Woody Allen, 1977)

 
 

Sylvia is a 2003 British biographical drama film directed by Christine Jeffs and starring Gwyneth Paltrow, Daniel Craig, Jared Harris, and Michael Gambon. It tells the true story of the romance between prominent poets Sylvia Plath and Ted Hughes. The film begins with their meeting at Cambridge in 1956 and ends with Sylvia Plath’s suicide in 1963.

 
 

Told through the character of Esther Greenwood, Plath’s semi-autobiographical heroine of The Bell Jar, this play is a revealing and absurd interpretation of the legendary poet’s life in the moments before her death.

 
 

The Simpsons, season 20, episode 11  titled How The Test Won

 
 

 
 

“…I am stronger than Mensa, Miller and Mailer
I spat out Plath and Pinter
I am all the things that you regret
A truth that washes that learnt how to spell…”

Manic Street Preachers

Faster

(Ninth track from their 1994 studio album, The Holy Bible)

 
 

Manic Street Preachers’ song The Girl Who Wanted To Be God it’s another reference to Sylvia Plath. It’s actually a reference to a line she wrote about herself – “I think I would like to call myself “the girl who wanted to be God.”  It was included in their 1996 studio album, Everything Must Go. The working title of this album was Sounds in the Grass, named after a series of paintings by Jackson Pollock.

 
 

Dance in the Dark, the song by American recording artist Lady Gaga, from her third EP The Fame Monster, refers to famous people who met with a tragic end of their lives, including Plath.

 
 

Gold (2001), second studio album by Ryan Adams. The ninth song from this studio album was titled after her

Of Claws and Clothes

“Beauty should be edible, or not at all.”

Salvador Dalí

Lobster Telephone by Salvador Dalí, 1936

 
 

In 1936, Salvador Dali designed the Lobster telephone. By spring 1937, Italian fashion designer, Elsa Schiaparelli asked him to design a lobster as a decoration for a white organdy evening gown. And the dress was made famous when it appeared in Vogue modeled by Wallis Simpson. As an American Divorcee, Simpson gained notoriety when the Duke of Windsor chose to marry her in 1936 rather than become King of England.

The oversized lobster on this dress is strangely out of place on such a romantic and feminine gown. The odd juxtaposition between evening gown and sea creature was certainly not an accident. Many of Schiaparelli’s designs were both shocking and humorous.

 
 

 
 

Elsa Schiaparelli in her atelier

 
 

Lobster dress, in collaboration with Salvador Dali, 1937

 
 

Wallis Simpson. Photos: Cecil Beaton

 
 

Lobster, Andy Warhol, circa 1982

 
 

Isabella Blow at the American Embassy in Paris, 1998

 
 

Isabella Blow, in her lobster hat (by Erik Halley), at Julien MacDonald’s fashion show in London, 1998

 
 

Lobster Necklace by Erik Halley

 
 

Lady Gaga wearing a lobster hat designed by Philip Treacy in 2011

 
 

Lobster brooch by Tiffany and Co. which contains 200 pink sapphires and 61 spessartites in 18 karat gold. The lobster’s eyes are made from vivid emeralds and the antennae are sparkling diamonds. Summer 2009 collection.

 
 

Thom Browne Spring/Summer 2013

 
 

Tommy Hilfiger Short, Exploded Lobster Print Flat Front Short. 2013 Spring-Summer collection.

 
 

John Galliano Spring/Summer 2013 Menswear collection

Shoe-hat

Illustration for hats. Autumn-Winter 1937/1938 collection

The hat was designed by Salvador Dalí who was inspired by a photograph of himself wearing his wife’s shoe on his head.

 
 

Gala wearing the iconic shoe-hat. Photo André Caillet 1938

 
 

The “Almodóvar girl” Rossy de Palma (described by many as a Picasso-come-to-life) and Christian Louboutin. Photo: Mario Chavarría for Harper’s Bazaar Spain, 2010

 
 

Lady Gaga in a Born This Way (2011) promotional photograph by Mariano Vivanco