As If in The Act of Blessing


«…Dürer portrayed himself as the Christus. Robert often fantasized and photographed himself as the Christus.»

Jack Fritscher
Mapplethorpe: Assault with a Deadly Camera

 

Portrait of Patti Smith by Robert Mapplethorpe, 1986

 

Self-Portrait at Twenty-Eight Years Old Wearing a Coat with Fur Collar, Albrecht Dürer, 1500  

 

Painted early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. It is considered the most personal, iconic and complex of his self-portraits, and the one that has become fixed in the popular imagination. The self-portrait is most remarkable because of its resemblance to many earlier representations of Christ. Art historians note the similarities with the conventions of religious painting, including its symmetry, dark tones and the manner in which the artist directly confronts the viewer and raises his hands to the middle of his chest as if in the act of blessing.

 

Blessing Christ, Hans Memling, circa 1433–1494  

 

Dürer chooses to present himself monumentally, in a style that unmistakably recalls depictions of Christ—the implications of which have been debated among art critics. A conservative interpretation suggests that he is responding to the tradition of the Imitation of Christ. A more controversial view reads the painting is a proclamation of the artist’s supreme role as creator. This latter view is supported by the painting’s Latin inscription, composed by Celtes’ personal secretary, which translates as; “I, Albrecht Dürer of Nuremberg portrayed myself in appropriate [or everlasting] colours aged twenty-eight years”.

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