Surrealist Dinner Party

Château de Ferrières, the suburban Parisian mansion of Baron Guy de Rothschild and Marie-Hélène

 

 

On December 12, 1972, Baron Guy de Rothschild and his wife Marie-Hélène hosted a costumed ball stranger than fiction. Château de Ferrières was on fire, sleeping cats the size of men littered the staircase, and all-enveloping cobwebs lined the hallways.The acid-laced zeitgeist of the 70s had trickled up and finally reached the ranks of the Parisian elite in the form of the Rothschilds’ theatrical Dîner des Têtes Surréalistes.

 

The MenuMenu

 

Detail of a table with a fur dish, Mae West red lips and blue bread

 

the dîner des têtes surréalistes invitation with reversed writing inspired by a magritte sky

 

The invitations for the ball—scrawled backwards so that it had to be read in a mirror—stated simply: black tie, long dresses, and Surrealist heads. When such requests are made of those with limitless time and money, the results are impressive. What manifested at the chateau that evening was a trippy tableau vivant comprised of the most notable personalities in the worlds of art and literature and their perception-bending headdresses.

 

 

The actress Jacqueline Delubac came as René Magritte’s Son of Man painting, a large green apple hiding her face. Audrey Hepburn’s head was ensnared in a bird cage. There was a two-headed woman, a horse, a grotesque Mona Lisa, and more than one bouquet of flowers. Not to be outdone, the hostess wore a giant stag’s head that wept diamond tears. And, of course, the master of Surrealism himself was there—Salvador Dalí came dressed as himself.

 

Audrey Hepburn

 

The Baroness Thyssen-Bornemizza & Guy Baguenault de Puchesse

 

Salvador Dalí and the Italian princess Maria Gabriella de Savoia

 

Charles de Croisset, Marisa Berenson snd Paul-Louis Weiller

 

Claude Lebon and Charlotte Aillaud

 

Hélène Rochas & François-Marie Banier

 

For desert: a sugar made woman laying in a bed of roses

 

Table of the swaying dolls

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Mr. Apple

Mr. Apple, Norman Rockwell, 1970

 
 

Norman Rockwell’s interpretative painting, measuring 13″ x 17.5”, is a playful rendering of René Magritte‘s famous The Son of Man using a red apple rather than a green one – and with the apple replacing the man’s head rather than just obscuring it as Magritte had painted. Rockwell painted Mr. Apple in June of 1970 at his home in Stockbridge, Massachusetts.

 
 

Typed letter signed “Norman,” dated 11 June 1970 on his personal stationery, in part:

 
 

“… I must tell you that I got the two apples, and I haven’t eaten them, but I have put them in the refrigerator so they will keep bright and shiny…

It will be fun doing such a unique painting …”

 
 

Autograph letter signed on his personal stationery:

 
 

“Dear Mr. Blum – Here it is! I really enjoyed painting Mr. Apple. I sure hope you like it. The painting may still be wet when you get it. But do not varnish it for a couple of months. If you use a fine mastic varnish it will preserve it forever. Cordially, Norman Rockwell.”