Wanting to Be Big Stars


“The outside influences are always pouring in upon us, and we are always obeying their orders and accepting their verdicts. The Smiths like the new play; the Joneses go to see it, and they copy the Smith verdict.”

Mark Twain
Corn Pone Opinions
1923

 
 

 
 

“Sha, la, la, la, la, la, la

Mmm

Uh huh

I was down at the New Amsterdam

Staring at this yellow-haired girl

Mr Jones strikes up a conversation

Sha, la, la, la, la, la, la

Mmm

Uh huh

With a black-haired flamenco dancer

You know, she dances while his father plays guitar

She’s suddenly beautiful

We all want something beautiful

Man, I wish I was beautiful

So come dance the silence down through the morning

Sha la, la, la, la, la, la, la

Yeah

Uh huh

Yeah

Cut up, Maria!

Show me some of that Spanish dancin’

Pass me a bottle, Mr Jones

Believe in me

Help me believe in anything

‘Cause I want to be someone who believes

Yeah

Mr Jones and me

Tell each other fairy tales

And we stare at the beautiful women

She’s looking at you

Ah, no, no, she’s looking at me

Smilin’ in the bright lights

Coming through in stereo

When everybody loves you

You can never be lonely

Well, I’m gonna paint my picture

Paint myself in blue and red and black and gray

All of the beautiful colors are very, very meaningful

Yeah, well, you know gray is my favorite color

I felt so symbolic yesterday

If I knew Picasso

I would buy myself a gray guitar and play

Mr Jones and me

Look into the future

Yeah, we stare at the beautiful women

She’s looking at you

I don’t think so

She’s looking at me

Standing in the spotlight

I bought myself a gray guitar

When everybody loves me

I will never be lonely

I will never be lonely

Said I’m never gonna be

Lonely

I wanna be a lion

Yeah, everybody wants to pass as cats

We all wanna be big, big stars

Yeah, but we got different reasons for that

Believe in me

‘Cause I don’t believe in anything

And I wanna be someone to believe, to believe, to believe

Yeah!

Mr Jones and me

Stumbling through the Barrio

Yeah, we stare at the beautiful women

She’s perfect for you

Man, there’s got to be somebody for me

I wanna be Bob Dylan

Mr Jones wishes he was someone just a little more funky

When everybody love you

Oh! Son, that’s just about as funky as you can be

Mr Jones and me

Starin’ at the video

When I look at the television, I wanna see me

Staring right back at me

We all wanna be big stars

But we don’t know why, and we don’t know how

But when everybody loves me

I’m wanna be just about as happy as I can be

Mr Jones and me

We’re gonna be big stars”

 
 

Mr. Jones is a song by American alternative rock band Counting Crows. It was released in December 1993 as the lead single and third track from their debut album, August and Everything After (1993). It was the band’s first radio hit and one of their most popular singles.

 
 

The album cover depicts handwritten lyrics to a song called August and Everything After, but the band decided against featuring the song on the album of the same name; it was not until over a decade later that it was played as part of one of their live concerts.

 
 

The band’s debut album August and Everything After was produced by American musician, songwriter, and soundtrack and record producer T-Bone Burnett. Joseph Henry “T Bone” Burnett was a touring guitarist in Bob Dylan‘s band on the Rolling Thunder Revue. And he also produced the second album by The Wallflowers, Bringing Down the Horse, released in 1996. August and Everything After became the fastest-selling album since Nirvana‘s Nevermind.

According to Adam Duritz, the song title had a hand in the naming by Jonathan Pontell of Generation Jones, the group of people born between 1954 and 1965. “I feel honored that my song Mr. Jones was part of the inspiration for the name Generation Jones. The name Generation Jones has several connotations, including a large anonymous generation, a “keeping up with the Joneses” competitiveness and the slang word “jones” or “jonesing”, meaning a yearning or craving

The primary topic of the song itself is perhaps how two struggling musicians (Duritz and bassist Marty Jones of The Himalayans) “want to be big stars,” believing that “when everybody loves me, I will never be lonely.” Duritz would later recant these values, and in later concert appearances, Mr. Jones was played in a subdued acoustic style, if at all. On the live CD Across a Wire Duritz changes the lyrics “We all wanna be big, big stars, but we got different reasons for that” to “We all wanna be big, big stars, but then we get second thoughts about that,” and “when everybody loves you, sometimes that’s just about as funky as you can be” to “when everybody loves you, sometimes that’s just about as fucked up as you can be.”

Some believe the song is a veiled reference to the protagonist of Bob Dylan’s Ballad of a Thin Man, based on the lyric “I wanna be Bob Dylan, Mr. Jones wishes he was someone just a little more funky.” According to Adam Duritz on VH1 Story Tellers “It’s really a song about my friend Marty and I. We went out one night to watch his dad play, his dad was a Flamenco guitar player who lived in Spain (David Serva), and he was in San Francisco in the mission playing with his old Flamenco troupe. And after the gig we all went to this bar called the New Amsterdam in San Francisco on Columbus.”

In a 2013 interview, Duritz explained that the song is named for his friend Marty Jones, but that is about Duritz himself. “I wrote a song about me, I just happened to be out with him that night,” Duritz said. The inspiration for the song came as Duritz and Jones were d runk at a bar after watching Jones’ father perform, when they saw Kenney Dale Johnson, longtime drummer for the musician Chris Isaak, sitting with three women. “It just seemed like, you know, we couldn’t even manage to talk to girls, … we were just thinking if we were rock stars, it’d be easier. I went home and wrote the song,” Duritz said. He sang the song in fun, enjoying the fantasy of making it big. However, he did not realize that just months later, in December 1993, MTV would begin playing the video for the song. It was an unexpected hit song, drawing massive radio play and launching the band into stardom.

 

To listen to this song and watch the music video, please take a gander at The Genealogy of Style‘s Facebook page: https://www.facebook.com/pages/The-Genealogy-of-Style/597542157001228

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