No Reason to Go On Much Beyond


“The ideas I get about Antoine Doinel, and the way Léaud plays him, are closely tied to adolescence; there’s something in the character that refuses to grow up. I’m like the silly father who continues to treat his twenty-three-year-old son like a child: “Blow your nose”; “Say hello to the nice lady.” That’s the problem with parents who won’t allow their children to grow up. People who do comic strips have the same problem: they create a character who will be the same age forever. But starting with Bed and Board, the character of Antoine had actually reached adulthood, so there was no reason to go on much beyond that. That’s why the cycle had to come to an end with Love on the Run. It has a deliberately, boldly, even desperately happy ending, unlike the endings of the previous four films in the cycle, all of which were open-ended.”

François Truffaut

 
 

Jean-Pierre Léaud

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