The Depiction of Two Movements


Nu [esquisse], jeune homme triste dans un train (Nude (Study), Sad Young Man on a Train), Marcel Duchamp, 1911–12. Peggy Guggenheim Collection, Venice

 
 

This painting was identified as a self-portrait by the artist. Duchamp’s primary concern in this painting is the depiction of two movements; that of the train in which there is a young man smoking, and that of the lurching figure itself.

 
 

The Rude Descending the Staircase (Rush Hour at the Subway), by J. F. Griswold. Evening Sun, March 20, 1913

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s