The Depiction of Two Movements

Nu [esquisse], jeune homme triste dans un train (Nude (Study), Sad Young Man on a Train), Marcel Duchamp, 1911–12. Peggy Guggenheim Collection, Venice


This painting was identified as a self-portrait by the artist. Duchamp’s primary concern in this painting is the depiction of two movements; that of the train in which there is a young man smoking, and that of the lurching figure itself.


The Rude Descending the Staircase (Rush Hour at the Subway), by J. F. Griswold. Evening Sun, March 20, 1913


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