A Key Motif in Dior’s Fashions


Monsieur Christian Dior and his gardener, date unknown

 
 

The story began in 1906 in the hills above Granville in Normandy within the gardens on the property where the Dior family had recently settled. Around the villa, Christian Dior‘s mother built a lush garden from the ground up combining rare species of plants. It was young Christian who created and designed the rose garden. Throughout his life, the rose remained his favourite flower. It was key motif in his fashions (featured in prints, embroidery, brocades, etc.) and an essential note in his fragrances. Furthermore, the very name of his childhood home – les Rhumbs – is also a subtle reference to the rose: it defines the cardinal divisions of space, which in French is called ‘la rose des vents’, or windrose. Therefore, the rose, which was so vital to the life and work of the designer, has also become essential to Dior Jewellery collections such as Rose Dior Bagatelle.

Ever since, each designer at Masion Dior (Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano and Raf Simons) had followed the tradition of including roses in the collections for this iconic French brand, whether in prints, accesories or even on a showstopping stage.

 
 

Rose de France afternoon dress in taffeta with colored rose print, Spring-Summer 1956 Haute Couture collection, Ligne Flèche (Arrow Line)

 
 

Pierre-Auguste Renoir’s Roses Mousseuses influenced the rose print

 
 

Carmen Dell’Orefice wearing Dior by Yves Saint Laurent. Photo: Richard Avedon, 1957

 
 

Madrileña Dress of floating pale gray faille, Dior by Marc Bohan. Alexandre of Paris coiffure. Photo by Richard Avedon for Harper’s Bazaar, December 1960

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