“And yet, despite the ultimate and monumental success of the tour, things did not always go smoothly. The trouble was not so much from within the group (though there were instances of stress and friction, granted) but from the outsiders: tourist-types, music-lovers, hero-worshippers, souvenir-hunters, run-away-teenies, young ill-informed musicians hoping to replace guitarist Mick Taylor who had recently left the group, and quite unaware, of course, that inside the house, at that very moment, the great Ron Wood was picking a line that would have set Bo Didddley’s top a ‘tappin’!”
This was The Rolling Stones‘ first tour with new guitarist Ronnie Wood, after Mick Taylor had left the band. (A 14 April announcement merely said he would be playing on the tour; he was not officially named a Rolling Stone until 19 December 1975). Long time sidemen Bobby Keys and Jim Price on brass were not featured on this tour, being replaced by Billy Preston on keyboards and Ollie E. Brown on percussion. Bobby Keys made a guest appearance on You Can’t Always Get What You Want and Brown Sugar at the Los Angeles shows.
The Tour of the Americas ’75 was not tied to support of any newly released material, as it began more than seven months after the release of their last studio album at the time, It’s Only Rock’n Roll; therefore the compilation album Made in the Shade was released to capitalise on the tour’s publicity.
The mid-1970s were the era of extravagant stage shows, from the likes of Elton John, Alice Cooper, Kiss, and Queen—a new format for the Stones, with their usual act freshly aided by theatrical stage props and gimmicks, including a giant inflatable phallus (nicknamed ‘Tired Grandfather’ by the band, since it sometimes malfunctioned) and, at some shows, an unfolding lotus flower-shaped stage that Charlie Watts had conceived.