In Vanity Fair February 2014 issue, Catherine Deneuve and Kate Moss appeared in their first portrait together, photographed by Patrick Demarchelier and text by James Fox. It’s hard to believe it hadn’t happened before. Two fashion icons colliding: one French, one British. One actress, one model. One a symbol of 60s and 70s glamour, one of 80s and 90s punk grunge. Yet something inherently stylish and historic draws them together. David Bailey introduced them.
According to the text by Fox, Even for Paris, This Was Impressive:
“They look as if they were emerging at dawn from a party, waiting to go home, these two apparently ageless, beautiful women. Consummate artists in front of a camera, they look at it as if they knew you—with a hint of humor at the imposition of the photograph. It is their first portrait together: Catherine Deneuve at 70 and Kate Moss at 40. Their separate images have illuminated the cultural landscape for decades—Deneuve with her great classic roles in the cinema, from the early Repulsion (Roman Polanski, 1965) and Belle de Jour (Luis Buñuel, 1967) to the more than 100 other films she has made, and also as a living symbol of French style; Moss with her unparalleled domination of fashion, who turned modeling into a high art and became the chief inspiration for 25 years to many of the world’s top designers and photographers. The picture was shot on a Paris balcony; the two women had hooked up in Japan some weeks earlier at a “timeless muses” exhibition, dedicated in part to them. A joint photograph had long been in Moss’s mind. “We’d kind of talked about it before,” she says, “but really I just wanted to meet her. I’d finished a shoot with David Bailey [the photographer, Deneuve’s former husband], and he was speaking about her, and we laughed about that. And we hit it off. She’s amazing, beautiful and chic and everything I want to be, also as a woman growing old gracefully and with such class. So I was over the moon that she liked me and wanted to do the pictures.”