“To me photography can be simultaneously both a record and a ‘mirror’ or ‘window’ of self-expression.”
Bara (薔薇, “rose”), also known as the wasei-eigo (English words coined in Japan) construction “Men’s Love” (メンズラブ) or ML, is a Japanese jargon term for a genre of art and fictional media that focuses on male same-sex love, usually created by gay men for a gay audience. The term bara in relation to gay material for men originated in the 1960s, possibly as a result of Bara kei (Ordeal by Roses, published in 1961), a collection of semi-nude photographs of the gay author Yukio Mishima by photographer Eikoh Hosoe, and was reinforced by the early and influential gay men’s magazine Barazoku (薔薇族, lit. “rose tribe”), founded in 1971 and the first gay magazine in Asia to be sold at mainstream bookshops.
Born inJapan in 1933, he decided to become a photographer at age 18. Since then Mr. Hosoe has been established himself as an internationally acclaimed photographer and professor. Mr. Hosoe has consistently pursued personal original directions in his work, focusing on the dialogue between men and women, life and death, the supernatural, theatre, and the nude and the landscape. His photographs have been recognized in major exhibitions spanning Asia, Australia, Europe, and the US, at venues including the Yokohama Museum of Art, the Smithsonian Institute, the International Museum of Photography at the George Eastman House, the Museum of Modern Art, the International Center for Photography, and The Ikeda Museum of 20th Century Art. The Howard Greenberg Gallery has long represented his work in NYC. The many books of his work include Man and Woman; A Place Called Hiroshima; Ba-ra-kei: Ordeal by Roses; Eikoh Hosoe: Aperture Masters of Photography; Embrace; Butterfly Dream, and recently re-released by Aperture, Kamaitachi. Hosoe has been the director of the Kiyosato Museum of Photographic Arts (Kiyosato, Yamanashi), since it’s opening in 1995. He has lead workshops in Japan and abroad.
Homoerotic photography has also been accredited as contributing to the bara genre, with Tamotsu Yatō and Haga Kuro mentioned by Tagame in particular.
*More photographs by Heikoh Hosoe on The Genealogy of the Style‘s Facebook Page: