Bear Pond on a Gold Day

Bear Pond (Little, Brown and Company, 1990)

 
 

“Toward evening find a silent shuttered room.
Sit or lie; let your eyes slide shut.
Your heart slows; your mind will likely race –
A smear of pictures, leering sideshows, tunes,
Bodies you’ve tasted, geeks, your private crimes –
All ways to bribe you from the dare you take,
this risk of a trek toward home, a healing journey.
But coax your lidless inward eye to find
The place where you knew broad serenity…”

“. . . Around one man, the perfect Earth
Unfolds one final day —
The golden day I find and dream to keep. “

Gold Day
Reynolds Price

 
 

 
 

Bear Pond showcases 100 photographs taken by Bruce Weber. They were shot in upstate New York Adirondack Lakes region and the Olympic Peninsula of Washington State. The wilderness landscape, the study of male body in a primal state of grace and Richard Price’s poetry take us back to Walt Whitman and Thomas Eakins ideal of life.

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Ain’t Nothin’ Like the Real Thing

“I got your picture hangin’ on the wall

It can’t see or come to me when I call your name

I realize it’s just a picture in a frame.

I read your letters when you’re not near

But they don’t move me

And they don’t groove me like when I hear

Your sweet voice whispering in my ear …”

Marvin Gaye

 
 

Stills and Making-off

 
 

Ain’t Nothin’ Like the Real Thing is a promotional short directed by Bruce Weber, featuring the YSL Autumn Winter Collection Homme 2010-2011 designed by Stefano Pilati. It was titled after Marvin Gaye’s song. Bunny Yeager, the American pin-up who after leaving modeling found a career as a photographer was an influence on Weber’s concept. “Freedom is just another word for nothing left to lose” a line from Me and Bobby McGee, the song composed by Kris Kristofferson, is recounted in the spoken lines.
 
In one scene, we see someone ironing a T-shirt with an ancient Tahitian proverb printed on it: “Nehenehe Oe,E Amu Ite Oraraa E Na Te Oraraa E Amu Ia Oe” (“You can eat life or let life eat you”). The same line was quoted by Tarita Teripiia in the fourth motion picture version of Mutiny on the Bounty (Lewis Milestone, 1962). Tarita was the third and last of Marlon Brando’s wives. Tarita and Brando met on the set of the film.